Howard is mild-mannered and slightly simple-minded, with a habit of picking up teenage hitchhikers while driving his delivery routes. Sometimes the girls admit to being runaways, and if they claim to hate their mothers it drives Howard into a violent frenzy; his sister ran away from home years ago and was never heard from again, causing his desperate, addled mother to tighten her hold on him. Howard never remembers raping his victims or strangling them with wire coat hangers, though his boss does notice missed deliveries and late arrivals.
The coquettish granddaughter of a respected small-town judge is stranded at a bootleggers’ hide-out, subjected to an act of nightmarish sexual violence, and plunged into a criminal underworld that threatens to swallow her up completely.
Melissa is a 15-year-old girl who loves to dance. Her parents think she is taking classes in classical ballet, but once at the dance school she devotes herself to the hip-hop dance classes. Melissa is good friends with Jordi and he is very happy for Melissa when she is asked to dance in the music video of the famous rapper Brainpower. But because of bad influences, her life becomes a nightmare. Until her real friends decide to get her out of there.
This intimate documentary follows the journey of Bronwyn Oliver, a working-class girl from the country who became one of Australia's most influential contemporary sculptors.
A portrait of Paul Joe Vest and requiem for people living and dying with AIDS he composed setting poems of Walt Whitman to music.
The story of the Yuma Crossing, the place where centuries of travelers crossed the Colorado River as told in a series of reenacted vignettes by colorful characters from the Quechan tribe, the conquistadores, Father Kino, Olive Oatman and others up until the first bridge was built in the 1920's.
A film made by Victress Hitchcock and Ava Hamilton in 1989 on the Wind River Reservation for Wyoming Public Television.
The first childbirth for children film ever made which launched a sibling preparation movement across the US.
A portrait of three generations of wonderfully eccentric Italian American women living in a small town near Boulder.
A documentary about the Friends of the Western Buddhist Order in London.
Monsanto is the world leader in genetically modified organisms (GMOs), as well as one of the most controversial corporations in industrial history. This century-old empire has created some of the most toxic products ever sold, including polychlorinated biphenyls (PCBs) and the herbicide Agent Orange. Based on a painstaking investigation, The World According to Monsanto puts together the pieces of the company’s history, calling on hitherto unpublished documents and numerous first-hand accounts.
In oPorto there is a club, Imperatriz, where everything is permitted. A moment in which all intersect in the dark night.
A mentally-challenged guy was put into trial after allegedly raping his teacher. And as Amanda, Julian, and Ronald try to mount a convincing defense, they discover soon that they're all connected in more ways than just the case.
Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.
This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
Filmmaker Sabina Vajraca documents her Bosnian Muslim family's return to their home of Banja Luka, Bosnia, to recover their stolen belongings many years after being forced to flee to the United States. In Bosnia, they witness the devastation of the city, visit war crimes sites, and confront the family that has been living in their former apartment -- with all their furnishings -- for a decade.
A documentary exploring the importance of revival cinema and 35mm exhibition - seen through the lens of the patrons of the New Beverly Cinema - a unique and independent revival cinema in Los Angeles.
Celesta and Karen Davis grew up in a loving family. They shared many wonderful childhood moments and, at the time, thought it all was normal. But when Karen and Celesta were molested in 1978, little was being done about sexual abuse. Their parents' lack of action was neither questioned nor challenged, including years of continued social contact with the perpetrator, his wife and their two young children. Twenty-five years later, feeling unresolved, they begin their quest to find the man who took advantage of their innocence and to ask him something that has haunted them for almost their entire life: "Why?"
For almost two decades, the Anglican Priest Ralph Rowe sexually abused First Nation boys in the north during his days as an Anglican minister. Though the true number will never be known, the documentary reports that Rowe molested as many as 500 children throughout northwestern Ontario.