OL dorei kankin: Morasu

Jeong-hye and Ji-hwan are a couple who have been living a wandering life due to debt. Ji-hwan makes a secret deal with Man-soo, the new owner of their previous house. The couple can stay at Man-soo's house, but in exchange, Ji-hwan must have sex with Man-soo's wife, Tae-hee. Man-soo also ends up taunting Jeong-hye secretly, using her unemployed husband as bait. Later, Jeong-hye and Ji-hwan eventually find out that they have been secretly played by the couple and get frustrated. In the end, Man-soo and Tae-hee propose a new offer to the couple.

A sensual drama depicting the friendship between a woman who continues to have an affair and a man who provokes her by secretly filming her. Satomi Yoko, who has just made her debut, received high praise for her passionate performance as a woman who drowns her loneliness with infidelity and is also attracted to an unknown voyeur. Maki (Yoko Satomi), who lives alone, invites Yuji (Akira Yokozuka) to her room and they get close to each other, and the act is revealed to the detective hired by his wife (Keiko Seto), but he is caught on camera from the apartment across the street. The presence of Toshiaki (Atsushi Toyama), who spies on Maki and calls Maki every time they have an affair, causes ripples in their muddy relationship.

Pink film by Koji Wakamatsu

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A married woman has an affair. She soon must deal with a menacing voice on the phone...

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A Virgem e o Bem-Dotado

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The manager, who is always suspicious of his wife, Ye-in, tells his subordinate to seduce her to test her loyalty. The assistant manager followed the order, but he succeeded in seducing his boss's wife. However, he tells his boss that he failed. The manager regains trust in his wife, but he is completely unaware of what really happened.

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When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

He is a murderer in his head and he is losing himself by actually killing people.