Jack Kerouac, une piste
Since her parents separation, 16 year-old Molly is undergoing a transformation that she doesn’t yet understand. Trapped in an unhappy family dynamic, Molly has decided that today is the day to make a stand.
During a common night dancing with friends, a 19-year-old boy meets an older man who promises him a better life in exchange for sex and company.
Tropismat
Babyspice is the story of a person who wavers in the aftermath of a breakup. Rather than flee from the pain, they choose to welcome it.
Ooni
Sawana - Reine des Fourmis
Rami Ram Kirani
L'usine rouge
Demain au boulot
Comments on the history of a people, made by the filmmakers and their characters. From the time of contact, through captivity in rubber plantations, to the current work with video, the testimonies give meaning to the process of dispersion, loss and reunion experienced by the Huni kui.
Les deux trappeurs
A young man plans to relax in the park next to his office, but a zealous street performer has plans of his own.
Au-delà des liens
In the future, creatures from another planet invade Earth. After a long brutal war, a treaty is agreed upon. A love story between enemies threatens to ignite war again.
Bande Annonce Fête du court métrage
Essai 2095
Didier remembers. In the intimacy of his daily life, he recounts his memories of love and loneliness, of what is hidden and what remains. The film questions how memories build our identity, while raising awareness of the struggles and hardships that LGBT seniors face throughout their lives. It values resilience in the face of discrimination, while offering support tailored to this community. The film is also a message of hope to future generations with worries and fears about growing up and growing old in a blurred and uncertain world and future, where acquired rights - those of women, LGBT+ people and minorities - seem once again to be weakened and called into question.
Lost Mind is an experimental short film, written and directed by Lucas Donnat, that explores the perception of time and memory through the staging of a man's death. The film questions the boundary between reality and imagination. Here, time is no longer linear: the past becomes the memory of a future, and the future becomes the altered continuation of a past already rewritten. Currently in production.
Lyssa