Mohenjo Daro

In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.

James Bond is sent to investigate after a fellow “00” agent is found dead with a priceless Indian Fabergé egg. Bond follows the mystery and uncovers a smuggling scandal and a Russian General who wants to provoke a new World War.

Advocate Jai Saxena lives in a small flat with his mom. One day his mom hires a maidservant named Imarsi, but later they find out that she is an impostor, and fire her. A few days later she comes knocking on their door in the dead of night, claiming that she is the sole heiress of Rai Bahadur Tulsinath's estate, and that someone is out to kill her. Jai wants to believe her, but his mother disbelieves her and wants her out of their lives, as she feels that this is nothing but another trick on her part to fool them. When the police are notified, the Saxenas are told that this woman's real name is Ragini, a homicidal killer, wanted by the police. Will Jai be convinced that he was offering to shelter a fugitive from the law?

James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

In a drought-stricken city in India, the emperor Maharaja Dhiraj Chandrasen, who has two wives, and no children, orders all kinds of rituals to appease the Rain Gods

A young boy. A quaint hilly town. Everything that can go wrong will go wrong. Perhaps, that is what metamorphosis needs. Syaahi is a coming of age story of a young boy, portraying seemingly simple events of childhood.

The film is about the journey of a person and is narrated in three parts from the lens of the protagonist: when he is a teenager, when he is 28 years old, and finally when he is 38. The three periods are synchronized to take place during pivotal movements: first, in 1999, when the first-ever gay pride parade took place in Calcutta, followed in 2009, when the Delhi HC decriminalized homosexuality, and in 2019, a year after the Supreme Court struck down the law that criminalized gay sex throughout India.

It's love at first sight for Anjali and Jai Walia. However, after Anjali gets an anonymous tip-off about Jai's alleged infidelity, cracks begin to appear in their once happy marriage.

After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees – and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.

A man gets stuck in an empty high rise without food, water or electricity.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

Lakshmi is a thirteen-year-old girl who lives with her family in a small hut on a mountain in Nepal. When the Himalayan monsoons wash away all that remains of the family's crops, Lakshmi's father says she must leave home and take a job to support her family. He introduces her to a glamorous stranger who tells her she will find her a job as a maid in the city. Glad to be able to help, Lakshmi journeys to India and arrives at "Happiness House" full of hope. But she soon learns the unthinkable truth: she has been sold into prostitution...

A naive bullock-cart driver falls for a traveling dancer.

At midnight on his 10th birthday, a boy scours the lesser-known Kolkata streets in search of a father he’s never met, carrying a letter he can’t read.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

It's the story of a boy who finds enlightenment by experiencing religious hipocrisy and dogmatism. Dnyaneshwar liberated the "divine knowledge" locked in the Sanskrit language to bring that knowledge into Prakrit (Marathi) and made it available to the common man.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.