After her father dies, Chloe, played by Edith Storey, is left alone in the world. She is discovered and taken home to their cave by brothers Dagban and Eric, who vie for her affection in an allegory about “brain vs. brawn.” When “Dagban threatens to do her bodily harm unless she accedes to his intentions” Eric beats up his brother to protect Chloe, and then subsequently leaves the cave he calls home to avoid further conflict. By this point, he has won Chloe’s affection with his kindness and love, and she decides to follow him and “together they continue their journey, seeking happiness in the land beyond the horizon, which joins earth with heaven.”
A man is accused of shooting his wife and her lover but as we find out. It wasn't her lover...
Completely desperate, an unemployed actress resorts to her agent looking to help her to make an important decision.
In the heart of the American west, a miner toils day after day at his rocker box while his young daughter keeps his camp. His daughter persuades him to return to civilization, where they may enjoy the fruits of their labor. Both are happy in the anticipation of what seems a bright future. While she's away, a desert wanderer appears at the camp, and at the sight of the old man weighing his gold is seized with cupidity. He himself had toiled long in the wilds, but with no success, so he demands that the old man divide his gains with him. This, of course, the miner decries, and the wanderer uses force to obtain the old man's gold. The wanderer collapses in the desert, only to be rescued by a certain young woman: the miner's daughter.
The premise of the film is that a meteor has been projected to destroy Hong Kong after 33 years (i.e., in 2047). The storyline details the subsequent reaction of local residents and the transformation Hong Kong undergoes leading up to the date of destruction.
Fifty seconds of silence, calm and emptiness ... but only in appearance ...
Loyalty becomes a life or death issue for a pair of estranged friends who used to share a grisly occupation in this atmospheric short film.
What the "spider-pit" sequence from the original King Kong (1933) probably looked like (the original sequence was cut out of the original movie because it was deemed "too gruesome" and was subsequently lost).
Pauls a lonely man. Locked up in his desolate life he struggles to face reality. He's forced to change his views when it's too late.
A sister comes to terms with what it means to come of age in rural isolation, but the adversity of the outside world is no comparison to the immensity of her imagination.
No Me Ama (She Doesn’t Love Me) is about a couple traveling through Uruguay. Besides a beautiful backdrop of scenery, this film features an interesting monologue about a guy and his feelings for the girl he is backpacking with. He longs to hear words she hasn’t told him, but is it about the words left unsaid, or the expression of love through little gestures?
Deadpan black comedy about a garbage man who gets in trouble in a stinky rich neighborhood.
Billy and Eva are two people who meet in the gap of time between life and death.
A 15-year old girl yearns to see the ocean, but her disability interferes. Unable to travel to the beach with her sister, Marina strikes out on an adventure of her own.
Sunday deals with the difficult situation of gays students in highschool.
A teenage boy explores his sexuality to the brink of exhaustion.
20 years after going MIA in Desert Storm, Aaron returns home under mysterious conditions, not having aged since his disappearance, and must reestablish relationships with loved ones before an imminent return to an ambiguous other-worldly existence.
Alberto resorts to disturbing and extravagant practices to break through the shell of his loneliness and fulfill his desires.
It is not a question of long conversations. It is not a question of living together for years. Sometimes, in a place where people pass each other by, in a matter of minutes you can find yourself connecting with someone else.
A girl wakes up to her lover's house and starts exploring.