“Looks at the impact key movements throughout U.S. history have had in shaping our society, laws and culture. From the labor movement of the 1880s, women's suffrage and civil rights, to the LGBTQ+ and Black Lives Matter movements, protest is in the American DNA and this documentary gives an unfiltered look at the ways it has evolved the world in which we live.”
A poetic view into the relationship of immensity between man and landscape. We contemplate, from the distance, the activity of the skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a spectral presence.
The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.
Six blind Tibetan teenagers climb the Lhakpa-Ri peak of Mount Everest, led by seven-summit blind mountain-climber Erik Weihenmayer.
Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.
Draw
In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.
Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.
For nearly three years, director Dina Khreino interviewed world-class mountain climbing athletes, listening to what compels them to leave behind families, friends, and everyday comforts to risk everything for a fleeting glimpse into the unknown. What she found was a tribe, a diverse group of professional adventurers and amateur philosophers forged by the ultimate test of body, mind, and spirit. In the face of shifting winds, sheer granite cliffs, and impossible odds, they climb. Each for their own reason, but every one connected by the vertical world. In this rarefied air, these athletes are fundamentally changed, not just as climbers, but as human beings.
Summits of My Life 3 - Langtang
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
Fog surrounds the peak of a mountain as summer wildflowers bloom.
Piano to Zanskar is a British documentary film which tells the story of the highest piano delivery attempt in history. It follows Desmond Gentle, a piano tuner from Camden Town in London, and his two apprentices: Anna Ray and Harald Hagegard, as well as a 100-year old Broadwood & Sons upright piano, on their way from London to Zanskar in the Indian Himalayas.
A series of racist acts prompts three Mizzou students to pick up cameras and take us inside the student movement that brought down their college president. From the hunger strike, to victory, to the fear of violent reprisals, we live with the students who started a campus revolt.
Průzkumníci
Progress in South Australia manifests itself around the Flinders Range country in the industries of Whyalla, Port Pirie, Port Augusta, Leigh Creek and Aroona Dam. Wildflowers cover the countryside.
The most important mountain range in Europe is more than a holiday destination for sports and relaxation. The Alps are not just an unpredictable force of nature against which humans have to assert themselves again and again, or an area steeped in history, but also a landscape that enchants. The documentary takes a foray through the history and geography of the Alps.
Achour is thirty. Night and day, he walks. Rebellious soul, he crisscrosses Alger and its neighborhoods, stays at friends' houses and often leaves the city to meet the nearby montain in Kabylia, his alter-ego. In this environment, marked by war and terrorism, his resistance continues, mobile and ascending. Algerian hardcore-punk musician, Achour once screamed his anger against the country's regime and sang "Anarchytecture". But the movement died down, friends went their separate ways. His Facebook wall became his notebook, his window open to the world. It represents a scream aimed towards the echo of the mountains, between virtual wall, infinite facades of large complexes and the strata of mineral cliffs. A scream comes back at us.
Marc-André Leclerc, an exceptional climber, has made solo his religion and ice his homeland. When filmmaker Peter Mortimer begins his film, he places his camera at the base of a British Columbia cliff and waits patiently for the star climber to come down to answer his questions. Marc André, a little uncomfortable, prefers to return to the depths of the forest where he lives in a tent with his girlfriend Brette Harrington. In the heart of winter, Peter films vertiginous solos on fragile ice. He tries to make appointments with the climber who is never there and does not seem really concerned by this camera pointed at him "For me, it would not be a solo if there was someone else" . Marc-André is thus, the "pure light" of the mountaineers of his time, which marvel Barry Blanchard, Alex Honnold or Reinhold Messner, interviewed in the film. An event film for an extraordinary character.