Breve

Founding a social Muay Thai project in the North Zone of Rio de Janeiro, Mestre BG and his competitors face the adversities of an underfunded project and fight to win their place on the podium. The challenges intensify when one of the students, Raíssa Pacheco, secures a spot to compete in a South American championship in Uruguay.

Como é ser negro no Brasil?

Leopoldina, da Áustria para o trono do Brasil

History of women in Latin America

Pimentas nos Olhos

A casa que levo no peito

Lucca, a young trans man from the outskirts of São Paulo, travels to Foz do Iguaçu — at the crossroads of Brazil, Paraguay, and Argentina—in search of the father he never knew. There, he meets Diego, a Paraguayan who introduces him to the secrets of the borderland.

Maria

FALHA DE COBERTURA #32: Brasil 1x7 Alemanha (Copa 2014)

Astrobonde

In the hallways of a university in Belém, Emmanuelle, a shy and observant photography student, silently falls in love with Lenore. Lacking the courage to confess her feelings, she begins leaving anonymous notes inspired by Edgar Allan Poe in the places Lenore frequents. Intrigued and captivated by Lenore, Emmanuelle starts secretly following the clues from this admirer, drawing the two closer to an inevitable encounter.

América Latina, séc. XXII

Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking.

Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs "nature" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.

In an effort to cure her smoking habit a middle-aged woman discovers that she can communicate with her long lost son while watching a Halloween safety program on TV. After suffering a nervous breakdown, her husband, a used car salesman, is revitalized when he travels back in time to drive the first car he ever sold. Seventeen years later a powerful canned food manufacturer crashes the same car into a toaster truck while endorsing a brand of yams on live TV. At the funeral his clergyman experiences a crisis of faith when he and a lifelike Mexican continue their search for a married couple who have befriended an insect who enjoys drinking lime soda. They later meet a young man whose bizarre murder scheme involves four innocent members of an experimental rock band who have all given up smoking.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

This documentary is a journey into our own fascination, a collection of portraits of folk musicians living in New England, and a study of the ground on which their music is founded. We listen to them as they tell their stories and play their music. First and foremost, Behind a Hill is a tribute to these musicians and a rare peep into the house parties and basement jams of New England, in the northwestern corner of the USA, with the vain hope attached that maybe you, the viewer, will grow as fond of the music as we have. When we first encountered these musicians, we were overwhelmed by the quality of their musical output. We were entranced by the melodies, harmonies, rhythms, and tempos and every other element that constitutes a song (or, as is often the case, a piece of abstract drone music, heavy feedback, or someone banging a steel pipe against a bag of dirt while chanting in a yet undiscovered language, or...).

A journey in the footsteps of the most famous initiate of Italian Trecento, the author of the celebrated "Divine Comedy". A poet who has inspired some of the most outstanding minds in History.

A documentary on Dizzy Gillespie's landmark visit to Cuba and his performance at the Fifth International Jazz Festival in Havana, Cuba. Filmed in 1985 with Arturo Sandoval and Sayyd Abdul Al Khabyyr.

Just weeks after losing to the New York Yankees in the 2003 ALCS, the Boston Red Sox made it their mission to get the bat they needed to put them over the top. That bat belonged to reigning AL MVP Alex Rodriguez of the Texas Rangers. Deals were offered. Plans were made. Everything was done. Rodriguez was headed to Fenway Park. Until he wasn’t. This is the story of the 36 hours when the best player in the league went from savior of the Red Sox to latest weapon of the Yankees.