Faraway

This social Iranian drama, directed by Flora Sam, centers on an old man named Yousef who resides in Kashan. He lives with his daughter, Samira, and his young grandson, Amir Ali. The main conflict arises when Yousef faces the difficult situation of being forced to leave his home. Despite the pressure and the necessity of the move, Yousef is deeply attached to his current house and strongly resists the idea of leaving at all. The film explores the emotional turmoil and challenges faced by the old man and his family as they deal with this impending displacement.

Short experimental film in black & white. A young girl learns to appreciate her beauty through the help of a mysterious stranger... Will this be the key to her happiness?

In a small valley, riders pursue and kill a man. A horse thief, so his assassins claim. But for his ten year old son Issa, the disappearance of his father causes an avalanche of problems. With the family name stigmatized, Issa is bullied by the other children in the village. While his mother fights to clear her husbands name, Issa is left to his own devices. But unexpectedly, his solitude gives birth to his freedom, his real passion, horses.

Dash Akol is greatly respected in Shiraz as an honorable man who has lost his family's money through helping his friends. He has an enemy, however, named Kaka Rostam, a mean and spiteful person. Dash Akol, who is in his forties, falls in love with Marjan, daughter of the late Haji Samad, for whose estate he is the executor. But he keeps his love secret. One day a suitor asks for Marjan's hand, and Dash Akol considers it against his code of honor to refuse. On the night of the wedding, Dash Akol hands over responsibility for the family to the bridegroom. As he is leaving the house, however, Kaka Rostam is waiting for him and a fight ensues. Kaka Rostam stabs him in the back, but Dash Akol succeeds in killing him. On his deathbed, Dash Akol sends his parrot to Marjan with the confession of love he has taught it.

An urban guerrilla, wounded after a bank robbery, seeks refuge with his childhood friend—only to discover that his friend has fallen into addiction. The guerrilla hides in his house and gradually begins to influence him, helping him regain his courage and strength. Eventually, he entrusts the stolen money to him…

A poetic imagining of the circumstances leading to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, remains mysterious: his corpse is discovered in a mill, but the cause of death—and the whereabouts of his remains—are unknown.

Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.

A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.

An Iranian film.

An Iranian Film

After having medical problems, and after a long time, Mina becomes pregnant, but she feels ignored by her husband, Hesam. Since he has become concerned and involved with the personal and family problems of his colleague Shirin, who has recently divorced from her husband...

An Iranian film

A filmmaker named Hadi is sent to Croatia to complete his research for a film. Aziz, Hadi’s friend, gives him a cassette tape, a piece of image, and a half a piece of plaque in order to find a girl named Fatima. Alongside a Farsi-speaking Bosnian woman, Hanifa, Hadi begins his quest for Fatima.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

A young couple have problems in their marriage.

The mirror man

The mysterious disappearance of a kindergarten teacher during a picnic in the north of Iran is followed by a series of misadventures for her fellow travelers.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

Revenge may have irreversible consequences.

In 1986 Iran, Sahebjam, whose car breaks down in a remote village, enters into a conversation with Zahra, who relays to him the story about her niece, Soraya, whose arranged marriage to an abusive tyrant ended in tragedy.