It all began on a couch. He watched her undress and they made love for the first time.
Alex is very close to his elderly grandmother partly because his busy parents seem to have little or no time for him. One day he surprises two boys from his school leaving her house and is shocked to find her tied up inside – they have robbed her! Alex is sworn to secrecy as his gran is worried that her daughter will think her incompetent. This secret leads Alex into trouble as the two boys accost him in the street and bully him into becoming a pickpocket ("tasjesdief") for them, mugging old ladies. Alex learns how to deal with this situation in the end.
A nonfiction fairytale about love, death, art and the letting go.
In the sequel to Saltimbancii (1981), Fram the polar bear and the performing Marcellonis weather plotting competetors, bumbling kidnappers and family tragedy in this entertaining family film.
Orphans is the true story of a forbidden love affair set in the oppressive and violent atmosphere of nineteenth century Mexico. One man, Melchor Ocampo, driven by the twin passions of love and idealism, defies the stain of illegitimacy to shake off the crippling yoke of Spain and the Catholic Church. In so doing he becomes a founding figure of modern day Mexico.
After the death of her husband and teenage son, a woman puts an ad in a newspaper for a surrogate child.
The lonely Jeruza lives in a simple isolated house by the seaside with the siblings Cassandra and Ulisses and the family survives by selling handicrafts for a local store. Her husband, Santiago, is a sailor who has been missing for many years. When the stranger Roque arrives at Jeruza's house late afternoon, he tells her that Santiago was murdered in a bar fight. Jeruza lodges Roque to spend the night and they have a one night stand. He then seduces Cassandra, who loses her virginity with him and he convinces Ulisses to have an incestuous relationship with his sister. Jeruza realizes that Roque, who has a dreadful secret, is a destructive being that is threatening her family. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Clara s'en va mourir
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.
Le Piège d'Issoudun
When a thief enters a house desperately looking for money, he finds something more valuable.
A bus drives 5 young couples to an old castle in an unknown location. They have responded to an advert looking for people to take part in a 30-day medical trial. The company running the experiment, led by the co-ordinator, explains there will be no contact with the outside world. The group are free to leave at any time, but if they do, they will forfeit their fee: £20,000 per couple. Mysterious, unexplained events occur around the castle and strange noises are heard in the middle of the night. At first the group are skeptical – they think the company is creating the illusion of a “haunting” to test their reactions, until it is revealed there is something more sinister involved.
Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.
Faustine suffers the wounds of first love. During a summer when she is staying with her grandmother, she comes to know the nearby neighbors. Two brothers live in the large house. One is divorced and one has recently remarried, both of them live there with their teenaged and adult children. Though the boys of the household are drawn to Faustine, she grows ever more smitten with the divorced older man...
Rachel, a Jewish-American woman, moves to Vienna, Austria to work for the IAEA. She befriends Yitzhak, an Ethiopian Jew and former refugee, who lives in her apartment complex. When confronted with their shared cultural history, Rachel must reconcile her past with Austria's Holocaust history and the current refugee crisis gripping Europe.
By confronting the devastating truth of fatal violence against women, this experimental dance short shifts focus from passive victimhood to the strength and power of resilience.
After losing her best friend Yue to depression, Joy struggles to celebrate his first birthday without him, reflecting on their past, she desperately tries to only remember the good things.
A rowdy singer - blindsided when her guitarist/problematic lover quits the band - struggles to write a song to prove to her record label she's worth keeping solo. Looks like she'll have to face herself before she can face the music.