Guilt

Ira wanders around the streets of Moscow. She's pregnant with the child of Adrissa, an african student.

A contest is being held in Cremona for the best violin, with Giannina's hand in marriage as the prize. Filippo is secretly in love with her, but is also ashamed of being a cripple, so he switches his superior violin with that of another apprentice, Sandro, whom Giannina loves.

In the Second World War, probably in a concentration camp somewhere, Gary Sinise is a soldier who conducts Jews everyday to some place where only clothes come back, under the eyes of an young prisoner boy (Elijah Wood). This witness disturbs the soldier, driving the story to a tragic and sad end and a new beginning.

The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?

A short directed by Marian Meidel.

The film is about five men who meet up at their old hang-out spot after finishing their first semester of college.

A young woman, stressed by her busy and continually crowded New York City existence spontaneously retreats to a solitary lake deep in the Adirondacks.

The extended Steyer family lives together in a cottage in the mountains. The younger Steyer's wife Ludmilla wants money, and doesn't care if she must ruin the lives of the Steyer family to get it. Lost film.

A short film influenced by the feel of the Italian giallo films of yesterday. Dedicated to filmmaker Mario Bava.

A short film focusing on bawdy talk and Italian-American stereotypes of African-Americans.

Trailer for the lost giallo from director Diego Larràz. A wide variety of people are involved in an impenetrable web of murder, seduction, blackmail, alcoholism, etc. etc.

The story of Shmilu, a Hasidic Jew in crisis, torn between his community and the romantic possibilities of trendy East London.

A group of friends come to Gary's flat after a hard night's clubbing, take more drugs and chill out until the next morning.

Two reprobates go on a spree killing killer bats. This short film can be found exclusively on the Blu-ray release of Chocolate Strawberry Vanilla.

"Do what you want because everything will be legal".

The best-selling mobile game, Rovio's "Angry Birds", told in the style of Alfred Hitchcock's 1963 classic "The Birds".

A young English banker has a curious encounter with a young homeless woman.

Trapped and mistreated by her oppressive captor, Layla longs to escape and enjoy the freedom of the outside world. Will the mysterious woman in red offer Layla everything she wants?