Boundary-pushing Russian dancer and actress Ida Rubinstein selects renowned French composer Maurice Ravel to compose the music for her next ballet. Ravel ends up creating his greatest success ever: Boléro.
This ain't your daddy's holiday special. Join The Ghoul, Wayne Newton, and a burning arm for the most festive 90 minutes of your life.
There is nothing more festive than a fire on a cold winter's night, watching a flickering flame rekindles the spirit of the holiday season. What’s more, the true sense of well-being and relaxation that this can induce is invaluable in the hustle and bustle during the holidays. Welcome to “Christmas Moods by the Fireplace”…pull up a chair, put your feet up and relax to soothing sounds mixed with images of mesmerizing dancing flames. This holiday yule log is everything you need to create the perfect fire in your own living room on your TV or computer, at a push of a button. It is perfect when it’s cold outside or you just want to curl up with the one you love for a special evening. Burning for a restful two hours, this program will not only help you to relax and put the trials and tensions of the day into perspective, it will also warm and comfort the soul in a way that you would not have believed possible from your television set.
A film about friendship and the occasional loneliness.
In 2019, Will Wood and the Tapeworms went into studio to record a collection of songs Wood had written since his sophomore effort "SELF-iSH." The record, entitled "The Normal Album," was a significant departure from his previous work - much like his previous work. The process of constructing this strange and polarizing experimental "avant-pop" album was documented by Jake Feldman and Danger Baby Films' Mike Diebold, and Will Wood was left with the footage to do with as he pleased.
In a French nightclub, choreographed song and dance routines are performed, rather than a streamlined narrative. They tell the story of Parisian culture and politics from the 1920s—1980s. A disparate, anachronistic series of characters, including an ordinary waiter, a Nazi collaborator, resistance fighters, and 1960s student protestors gather to celebrate and satirize 20th century France's icons, demons, and social changes.
The Yule Log is a television program originating in the United States, which is broadcast traditionally on Christmas Eve or Christmas morning. It originally aired from 1966 to 1989 on New York City television station WPIX, which revived the broadcast in 2001; the program has since spread to other television properties owned by WPIX parent Tribune Media. The program, which has run between two and four hours in duration, is a film loop of a yule log burning in a fireplace, with a traditional soundtrack of classic Christmas music playing in the background; it is broadcast without commercial interruption.
A non-narrative short film tracking the movement of a flock of women through a megalithic landscape. They appear to be working, enacting a cryptic ceremony with a sense of calm & purposeful labor. A score weaving together their breath & hums with sounds collected from the landscape: wind, Rattlesnake grass & their hands rubbing against stone. The women's gestures come from both work & dance – evoking the strange overlap between labor & ritual. This film began as a response to the physicality of daily life as a mother & the rhythm of these acts; the relentless repetition of parenting, working, tending the world with our bodies. This repetition can easily become vacant labor, but it can also transform into a kind of meditative, even transcendent ritual, a collective communion with the landscape & each other. ALMA offers itself as a companion piece to McKenna’s photographic rubbings, a glimpse into the same world from where her art arises.
Watch Gwi-Ma's flames rise and fall as a golden soundtrack burns bright. When darkness meets the light, this is what it sounds like.
A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Tragedy strikes a married couple vacationing in the Moroccan desert, which jumpstarts an interlocking story involving four different families.
Alice and Emmett reflect on their fraying relationship. A hazy tapestry of summer memories recollected through voice recordings.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
A gangster who is released from prison goes in search of his sister only to find his violent past tagging along and threatening to derail his attempt to lead a normal life.
A boy conjures the stars out of yogurt.
Deep-sea organisms living in such a specific environment have developed unusual forms and properties. This is an interpretation of the underwater world and an invitation to relax.
Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.
I work with the interaction of space, and being in it, and the energies associated with them. The state of rest, then tipping over from it, and then returning to it again.