Homeland: Iraq Year Zero

In a contemplative coming of age portrait, PINBALL follows Yosef, a spirited athlete, in Louisville, Kentucky as he dives into the memories of his journey from Iraq to America and what it means to chase his dreams in the shadow of a war that displaced his family from their Iraqi homeland.

Iran, January 16th, 1979. Shah Mohammad Reza Pahlavi flees after being overthrown. Ayatollah Khomeini returns to Tehran and proclaims the Islamic Republic on April 1st, 1979. In the same year, Saddam Hussein seizes power in Iraq and, after several border skirmishes, attacks Iran on September 22nd, 1980, initiating a cruel war that will last eight years. Since its outbreak, correspondent Saeid Sadeghi documented it from its beginning to its bitter end.

Three film-makers travel to Iraq to film the ongoing crisis in which ISIS forces are trying to take over the country. The film-makers speak with locals, military, police and other media outlets to get their opinions on the crisis but it's the voices of the children which often goes unheard, so the film-makers listen to the children, and find out their views on the crisis.

In northern Iraq lie the ruins of a 3,000-year-old city, Nimrud, once the capital of the powerful Assyrian Empire. In 1988, archaeologists conducted excavations beneath one of the palaces and uncovered a vaulted room filled with bronze cups, lamps, and ceramic jars, which led to an untouched chamber laden with precious objects. A stone sarcophagus, still intact, contained an impressive amount of jewelry: the treasures of this burial site surpassed those found in Tutankhamun’s tomb. The bodies of two women, placed one on top of the other, were also exhumed. Presumably of high rank, who were they?

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

The eight-year Iran-Iraq War was one of the most brutal conflicts to devastate the region in the 20th century. Zahed was 13 years old when he enrolled in the Iranian army. Najah was 18 when he was conscripted into the Iraqi army, and he fought against Zahed in the Battle of Khorramshahr. Fast forward 25 years, a chance encounter in Vancouver between these two former enemies turns into a deep and mutually supportive friendship. Expanded from the 2015 short film by the same name.

Investigating the infamous Abu Ghraib scandal, Errol Morris interviews American guards and Iraqi prisoners who were at the military jail before images of prisoner torture emerged in 2004. One female guard, who posed alongside fallen Iraqis in notorious images, tells Morris that her crimes were inspired by her love for another soldier, and another explains why she took photographs of her fellow troops. In the process, Morris suggests that the scandal resulted from systemic flaws in the military.

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save us all. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.

During a routine visit to Grandpa, who has lived in the same small, cramped, and neglected apartment for 54 years, Grandpa declared emphatically - "I will never move!" Grandpa suffers from compulsive hoarding, which is rooted in the displacement of his family from their home in Baghdad, Iraq, without names, possessions, or dates of birth. A year passes, Grandpa's health changes, and suddenly - there is no choice but to move him to a new apartment with an elevator.

Family videos are odd objects. You can sit around all together and for a few hours relive your life. Family videos are valuable. The older the videos are, the more valuable they become for us. Especially for those of us who have had complicated lives.

Gas flaring has long been known to be both a major polluter and a serious health hazard. In Iraq, it's ruining ordinary people's lives, leaving communities ravaged by abnormally high levels of cancer. With oil giants like BP using a loophole to avoid reporting emissions, and governmental promises to end the practice ringing hollow, what will it take to eradicate toxic pollution from Iraq's skies?

It's a satirical comedy that chronicles 3 young Canadian film makers from Yellowknife as they travel from northern Canada to the middle east just as the Iraq war is erupting. As well as being very funny, it is also quite thought provoking. The trio travels through Canada, Turkey, Israel, Jordan and finally Washington DC interviewing "regular people" for their comments on the impending war. This film won best documentary at the 2003 Whistler Film Festival in Canada.

Giorgio Mattia describes his experiences during the second attack on the Italian Army in Nasiriya, Iraq 2006.

In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.

A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary 'My War' probes the complex motives behind the need to take up arms on someone else’s behalf.

Enfants de Daech, les damnés de la guerre

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.

The key individuals of the Iraqi-Nazi connection.