Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
An animated documentary film, based on an actual story of a woman from Damascus countryside. Suleima evokes some of childhood memories, when her thoughts refusing injustice had arisen. The film is a portrait of Suleima, and a monitoring of intellectual and social shifts she experiences during the events. The visual environment: has been presented graphically fully of sharp contrasts, and imaginary mixed with reality.
Kinder des Lichts
Topper Harley is found to be working as an odd-job-man in a monastery. The CIA want him to lead a rescue mission into Iraq, to rescue the last rescue team, who went in to rescue the last rescue team—who went in to rescue hostages left behind after Desert Storm.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
In the privacy of her own home, a Syrian woman shares her thoughts and feelings, talking about her existence, and her desire to be open about her sexuality in a conservative society.
Xu Fu travels to the Middle East to work as a chef in a Chinese restaurant to pay off family debts, where he meets floor manager Ma Junsheng. Their Dragon Restaurant rises to fame, attracting crowds with authentic‑tasting Chinese food. But war breaks out, and local conditions take a drastic turn for the worse. No one can remain unaffected. What lies ahead for them? And how will the Dragon Restaurant hold on amid the war?
A dramatic tale of espionage, propaganda, and romance, following the infamous Berlin rapper Denis Cuspert aka Deso Dogg and his journey from artist to MMA fighter to ISIS recruiter. When the FBI assigns a translator to monitor Cuspert, her quest to get close to him takes over her life.
T'es où, Youssef?
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
Od severu k jihu
The film covers through fiction real-life events like the occupation of Iraq, the execution of Daniel Pearl, the Hood event and the Abu Ghraib torture scandal.
A fictional documentary discusses the effects the Iraq war has had on soldiers and local people through interviews with members of an American military unit, the media, and local Iraqis.
After a bomb kills their company commander in Iraq, British soldiers Treacle and Shane are ordered to round up suspects and use torture on the detainees. Back home, the press gets the story and the pair achieves instant infamy.
Süchtig nach Jihad
A group of CNN reporters venture to the Iraqi capital to cover the Gulf War.
BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time. Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake’s exploits as he risks everything—including his life—to tell his brothers’ story.
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?
After their father dies, a family of five children are forced to survive on their own in a Kurdish village on the border of Iran and Iraq.
Four high school football stars enlist in the Marines and head off to fight in the war in Iraq. When one of them is killed and another wounded, they return home only to find is extremely difficult to pick up the threads of their old lives. The memories of events in Iraq combined with the lack of public support pushes many of these men to the breaking point.