Black Eyes

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

An animated short based on Hans Christian Andersen's tale about a poor young girl with a burning desire to find comfort and happiness in her life. Desperate to keep warm, the girl lights the matches she sells, and envisions a very different life for herself in the fiery flames filled with images of loving relatives, bountiful food, and a place to call home.

Bubba's Chili Parlor, a restaurant in rural Texas, becomes ground zero for a worldwide zombie epidemic after Bubba unwittingly serves chili infected with a mutated strain of Mad Cow Disease.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

It's Christmas time, and a grandmother spends a quiet afternoon tending to the family chores. But the arrival of an unexpected visitor brings with her some deadly consequences.

Jesus is asked to judge an inheritance dispute, but instead He uses this conflict to affirm the eternal ideals of His Beatitudes taught in the Sermon on the Mount. Jesus teaches the wronged brother to forgive and love his brother. All who follow Jesus must learn that what we own has little to do with who we are. Important ideals of stewardship and preparedness are emphasized through the parable of the House Built on Rock.

It's Christmas night when Victor gets stranded in a deserted hotel in Baltimore. To pass the lonely hours, he decides that for first time in his life he's going to order the services of a call girl. When Victor mistakenly recognizes a beautiful young woman at the bar for the call girl, he is taken aback by her warm response to his shy approach. From this moment on, the line between real love and paid love quickly dissolves.

Chronique de l'ennui

Saori, a school girl, is molested on the notorious "molester train" of the Hanagawa line and rescued by another school girl who witnesses the act. The girl who rescues her turned out to be a new student of the same high school Saori attends. The mysterious new student Yuriko is rumoured to be a "parent killer". Yuriko then leads Saori and her friends to hunt molesters.

A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.

The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.

Adela has just settled in Madrid with her father, Claudio, a retired concert musician and a hermit. Both teach piano to small children in a quiet, sparsely-furnished flat in the centre of town.

Atasco

A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.

In this fragile yet frightening poetic fantasy set against a dark industrial landscape, a woman sits knitting on the porch of her home when a man appears and takes the knitting from her.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.

In a repressive boarding school with rigid rules of behavior, four boys decide to rebel against the director on a celebration day.

Directed by J. Stuart Blackton.

A dissatisfied dreamer awakes, goes out in the night seeking a 'light' and is drawn through the needle's eye. A dream of a dream, he returns to bed less empty than before.