Bacon & God's Wrath

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

A look at the Jewish community in Rădăuți, Romania, from 1974 to 1976.

After the earthquake, my grandmother is facing the loss of her apartment.

Little María has been left in the care of her grandmother Matilde. The relationship between them is not very good. While María spends her time creating, her grandmother, who has become ill, has the urge to teach her the little trades that can help her fend for herself when she is gone. Their relationship becomes more tense, until her grandmother remembers a secret that she has kept since childhood...

Twenty-two years after the massacre perpetrated by paramilitary groups in complicity with the government, the people of Acteal celebrate their martyrs and persist in their demand for justice.

Ricky Tomlinson sits back in his chair and takes a fond look back at the much-loved comedy series The Royle Family, sharing his memories of playing head of the family Jim Royle and his experiences working with the show’s co-creator Caroline Aherne, who, as well as writing the show with co-star Craig Cash, also played Jim’s daughter Denise. Ricky talks about how a chance encounter helped him get the part of Jim, recounts what it was like filming some of the show’s most iconic moments, and tries to get the bottom of the origins of Jim’s famous, below-the-belt catchphrase.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A Thousand Words explores a daughter's relationship with her stroke-stricken father through still pictures and 8mm footage he shot while serving in Vietnam.

"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description instructions. Thus he created this short animated film."

Barney Bear sets out to capture the world's smallest horse.

Popeye's snoring is keeping his resident mouse awake. The mouse fights back.

Bugs is provoked by a pack of foxhounds and their hunters stampeding over his hole, so he gets out his Halloween costume from last year (a fox suit) and sets out to lead the dogs on a merry chase. The stupidest of the dogs, whose objective is to cut a fox's tail off, becomes his main victim; Bugs tricks him into chasing a train instead. He eventually tricks the dog pack into running off a cliff, but the stupid dog ends up with Bugs' tail.

A journey of a 7 year-old boy's acceptance of his grandpa's death in a traditional Taiwanese funeral.

An animated interpretation of a rocket voyage to the moon demonstrates the scientific principles at play in theoretical space travel (such as gravity).

Rare theatrical promo for the Christmas Seals charity, showing the busy daily routine of an urban everyman and offering the health wisdom of eight hours of sleep each night.

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

Basking in a theatres lights, a realm of dust particles dances in unison. One sprite suddenly gets the chance to be centre stage…

Breast cancer survivors find support and friendship in a unique sport: Dragon Boat Racing.

A group of six young Russian boys at a summer camp tell each other scary stories while waiting to fall asleep one night.