Do You Own the Dancefloor?

An in-depth feature film all about the boy himself Damon Gough and the legacy of his Mercury Prize winning album The Hour of Bewilderbeast, eighteen years after its original release in 2000.

An irresponsible Broadway star gets mixed up with gambling and gangsters.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.

'Green Lights, Blue Skies' features twenty tracks to make you want to head for the open road. Many of these videos, promotional clips and performances have never been included on a DVD. Bonus features include an introductory film by DJ and broadcaster Gary Crowley, exclusive band profiles and a new 5:1 mix.

In this musical short, a love columnist can't find her own love connection.

Join D.J. Lance Rock, Brobee, Toodee, Foofa, Plex, Muno and all of our favorite Yo Gabba Gabba! friends for their first-ever live concert! Yo Gabba Gabba! Live!: There's a Party in My City! is a non-stop musical extravaganza. Get up on your feet to sing and dance along over ten Gabba favorites, including: There's a Party in My Tummy, Name Game and Get The Sillies Out. This full-length concert is packed with special guests including beatboxing legend Biz Markie performing Biz's Beat of the Day, the incomparable Leslie Hall & DO IT teaching a Dancey Dance, and Super Music Friends Show guest The Aquabats performing everyone's favorite, Pool Party. Yo Gabba Gabba! Live!: There's a Party in My City! will get the whole family dancing and singing no matter what city you're in!

From Henry Chalfant, the director genre defining documentary Style Wars, comes what was intended to be the first installment in a regular television series on New York's bludgeoning hip-hop culture, with a specific focus on graffiti. Funding fell through but the material was just to good be left to languish. Chalfant put together what he had and, like Style Wars, it continues to stand as a document of a culture in blossom.

The mavericks whose radical ideas created modern dance in the 20th century.

Documentary looking at the career to date of Peter Kay, from Bolton schoolboy to award-winning, record-breaking comic, actor, writer and director.

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

A Hollywood actor visits a mythical country where he looks like the king and confuses the queen.

It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.

Sailor meets singer in Cuba. He's due to ship out, but hits it off with her, so he sticks around. Trouble brewing on many fronts - singer's best friend doesn't like the sailor, and singer has another suitor anyway. Rich guy takes her to all the fancy Cuban sports events - jai-alai, horse racing. Much more glamorous than spending time with Sailor. Can he win her over before he gets in trouble for letting his ship sail without him?

As a young man struggles through moments of uncertainty, grief, mortality and being unable to cope with the influx of emotion, he is brought along on a mental journey of self-discovery and self-worth through a language that speaks when words no longer work -- music.

Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.

A music professor is fired from his job for not knowing enough about modern "swing" music. He goes to Chicago to learn more about the subject in hopes of getting his job back, but he winds up getting mixed up with gangsters.

Set in Prohibition era Chicago, bootlegger Robbo and his cronies refuse to pay the greedy Guy Gisborne a cut of their profits after Guy shoots mob boss Big Jim and takes over. When Big Jim's daughter, Marian, gives Robbo a large sum, believing he has avenged her father's death, the gangster donates to an orphanage, cementing his reputation as a softhearted hood.

Stationed in West Germany, soldier Tulsa McLean hopes to open up a nightclub when he gets out of the army. Tulsa may lack the capital for such a venture, but a chance to raise the cash comes his way through a friendly wager. Local dancer Lili (Juliet Prowse) is a notorious ice queen, and Tulsa bets everything he has that a friend of his can earn her affections. But, when that friend is dispatched to Alaska, it's up to Tulsa to melt Lili's heart.

Danny Fisher, young delinquent, flunks out of high school. He quits his job as a busboy in a nightclub, and one night he gets the chance to perform. Success is imminent and the local crime boss Maxie Fields wants to hire him to perform at his night club The Blue Shade. Danny refuses, but Fields won't take no for an answer.