Restless Creature: Wendy Whelan

Global superstar Jennifer Lopez reflects on her multifaceted career and the pressure of life in the spotlight in this intimate documentary.

The life and work of German political philosopher of Jewish descent Hannah Arendt (1906-75), who caused a stir when she coined a subversive concept, the banality of evil, in her 1963 book on the trial of Nazi war criminal Adolph Eichmann (1906-62), held in Israel in 1961, which she covered for the New Yorker magazine.

Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.

Through the hauntingly beautiful lure of Jason deCaire's Taylor's underwater, life-like statues we witness the birth of an artificial coral reef, learn how we are inextricably connected to the ocean and everything in it, and are left to consider how our choices will determine what we leave to future generations.

An anthology of stories about the indigenous Nenet peoples of the Northern Russian tundra, and how their way of life was disrupted by the advent of Soviet power.

An analysis of director Sidney Lumet's work (12 Angry Men, Dog Day Afternoon, Before The Devil Knows You're Dead) in his own words, based on a five-day interview recorded shortly before his death.

In 2013, the world's media reported on a shocking mountain-high brawl as European climbers fled a mob of angry Sherpas. Director Jennifer Peedom and her team set out to uncover the cause of this altercation, intending to film the 2014 climbing season from the Sherpa's point-of-view. Instead, they captured Everest's greatest tragedy, when a huge block of ice crashed down onto the climbing route...

The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.

When one’s sole focus is to provide for their children, the stakes are extremely high. The need for multiple jobs to make ends meet has become a common reality for many families in this country, which leads to a very important question: who looks after the children while their parents work? Through the Night examines the economic and emotional toll affecting some American families, told through the lens of a 24-hour daycare center in Westchester, New York. At the center of it all is Nunu, the primary caregiver and a hero to many families in need of a safe space to bring their children.

Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.

People dance during a performance of the Orchestra "The Afrokán". The film was banned, at the beginning of the Cuban revolution, for depicting an unwanted image of the Havana night.

On the set of Paul Thomas Anderson's Inherent Vice.

Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.

Feature documentary about humor and the Holocaust, examining whether it is ever acceptable to use humor in connection with a tragedy of that scale, and the implications for other seemingly off-limits topics in a society that prizes free speech.

Forever enshrined in myth by an assassin's bullet, Kennedy's presidency long defied objective appraisal. Recent assessments have revealed an administration long on promise and vigor, and somewhat lacking in tangible accomplishment. His proposals for a tax cut and civil rights legislation, however, promised significant gains in the months before his assassination. While maturation, as evidenced in the handling of the Cuban missile crisis, was apparent, the potential legacy of the New Frontier will forever be left to speculation.

An unflinching look at how women are treated in the USA today examining issues such as workplace harassment, domestic violence, rape and sexual assault. It shows how discriminatory attitudes still prevail and influence society and argues for the need to improve laws that claim to protect women.

There are many great chefs around the world. Only one is considered to be a National hero. Meet chef Gaston Acurio and follow him in a journey to find out the stories, the inspirations and the dreams behind the man that has taken his cuisine outside the kitchen in a mission to change his country with food. Let this journey take you into the world of Peruvian cuisine to discover the power of food in Peru. Because the people that are passionate enough to believe they can make a difference are actually the ones who do.

Mimi isn't a star, she's just someone. A close-up of the singularity of a real life. An encounter of someone's particular story, romance, fantasy and territories.

Documentary composed of interviews with female partisans who survived the German invasion of Italy in World War II.

Maya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film. The film calls forth the spirit of one who was larger than life as recounted by those who knew her. Teiji Ito's family, Carolee Schneemann and Judith Malvina, float through the homes recalling in tiny bits and pieces words of Deren's architectural and personal interior space. Clips from Maya Deren's films are projected back into the spaces where they were originally filmed appearing on the floorboard, furniture, and in the bowl of her former sink. Fluid light projections of intimate space provide an elusive agency for a filmmaker most of us will never know as film with its imaginary nature evokes a former time and space.