Lebbis: Het Kwaad

Registration of the third theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. One day a man has to go. Away from family, away from home and hearth. Away from the drudgery of his work, out to look the world straight in the eye! In short: one day a man has to go to a equipped holiday cottage. Diederik van Vleuten asked his friend Erik van Muiswinkel to come along. The result was their theatre third program in which two men, one with a house and one with a bunk bed, clash. What are two Dutch friends in their forties discussing in a house on a Dutch Frisian Island?

Rayen Panday: Vrijspraak

Registration of the first solo theatre program by the Dutch actor, comedian and singer Alex Klaasen. Klaasen sings, among other things, a schizophrenia musical and a hymn to the turd.

In his third show, Daniël Arends argues that good deeds are a form of self interest, and evil deeds are a hobby.

With great pace, jokes and a good dose of self-mockery, the Moroccan comedian tells poignant stories taken from real life.

The Dutch comedian Hans Teeuwen gradually loses his sense of reality when he has to stay inside because of the "intellegent lockdown" during the COVID-19 pandemic. He recorded a corona comedy special at his home.

Registration of the theatre program by the Dutch musical comedy duo Het Monica Da Silva Trio (Tim Kamps and Arjen Lubach).

Registration of the seventh theatre program by the Dutch comedian Claudia de Breij.

Registration of the theater program by the Dutch comedian Brigitte Kaandorp.

Registration of the theatre program by the Dutch comedian Brigitte Kaandorp, about the celebration of the centenary of the Mea Culpa College. Rector Cornelis Putman (played by Bert Klunder) presents the festive evening, on which teachers and students perform fun acts, fine dances and beautiful songs. Including the ABC of Madame Manshanden, Wagner's Die Walküre in the adaptation of Brünhilde Putman Braun and a series of chanson classics in the interpretation of Mireille François, the French teacher.

Television registration of the eponymous performance by the Dutch comedian Claudia de Breij. Based on the life story of revue artist Heintje Davids, De Breij sings, dances and tells about a little girl who was told by her father that she was 'too fat and ugly' for the stage. Later, when she had long conquered that stage, there were people who decided that people like Heintje were too Jewish to be allowed to be there. But whoever stopped her, whatever happened: Heintje was there, and she always came back.

In his fourth comedy show the Dutch comedian Kees Torn has resolved not to talk about his girlfriend anymore, as that got out of hand in his previous show. This performance is therefore about other matters: how progress does not always actually bring about progress.

In his fifth comedy show the Dutch comedian Kees Torn reflects on addictions. Torn himself struggles with a dependence on whiskey and cigars, but also rhyme, Bach and his girlfriend José.

In his sixth comedy show the Dutch comedian Kees Torn tells that his impresario no longer allows him to talk about his girlfriend, his love for cigars and whiskey. That's why he's only talking about politicians, television personalities and important things like the QWERTY keyboard layout.

Stage registration of the third comedy special (2002-2004) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). The show consists of songs and sketches on various topics such as James Bond, Hamlet, Shakespeare and Thyestes.

The debut of this Dutch comedy duo. They won the Dutch Cameretten festival which a short (early) version of this show.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Registration of the theatre program by the Dutch comedian Brigitte Kaandorp.

Registration of the "musical-pastiche theatre program" by the Dutch comedian Brigitte Kaandorp. She accompanied by an ensemble and several musicians.

The Dutch comedian Peter Pannekoek looks back on 2021 with his dark humour. An ode to the consistent corona policy of the Dutch cabinet, the selflessness of Sywert van Lienden and the greatness of Lil 'Kleine.