Because Urbanus does all kinds of pranks, he has to go to an improvement institution. There, Dr. Schrikmerg uses him as a guinea pig for his new invention: he makes a sort of robot from Urbanus.
Comedian Wim Helsen apologizes for the violence, religious extremism and lousy economy plaguing Europe, then offers a happy panacea for all of it.
Rayen Panday: Fenomeen
Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
Stage registration of the fourth comedy special (2006-2008) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). This show tells the story about who the Vliegende Panters really are.
Registration of the fourth theatre program by the Dutch comedian Pieter Derks.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
Registration of the first theatre program by the Dutch comedian Theo Maassen.
First aid is my passion and my life. One traffic light turns red, another turns green: there's always something to do in Almelo. One of Herman Finkers' most famous quotes. Herman Finkers has been writing and performing theater programs since 1979. His programs are difficult to describe. He was probably best described in the Utrechts Nieuwsblad: 'master of the double punchline,' 'witty excess that does no harm,' 'sublime nonsense.' EHBO is my passion and my life is Herman Finkers' fourth program, recorded in the Leidse Schouwburg.
Theo Maassen is back. In all its anger, indignation, amazement about so much stupidity and lack of empathy in society, and advocates understanding and reconciliation.
Youp van 't Hek cheerfully flits between the following four questions: What are we willing to die for? How high will we rise in heaven? What does heaven have to offer us? Why is life on earth such hell for so many people? Youp doesn't give any real answers because he simply doesn't know them, but his jokes do lighten the mood.
Comedian Patrick Laureij grew up in Rotterdam-Zuid and uses his life experience to talk about underage drinking, kickboxing, and playgroups.
In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.
Registration of the fourth theatre program by the Dutch comedian Theo Maassen.
TV-adaptation of the fourth solo show by Dutch comedian Louise Korthals. In her own words: "This show is about what we pass on to the next generation."
In this theatre show Maarten van Roozendaal, double bassist Egon Kracht and guitarist Marcel de Groot "celebrate" the "achievements" of Western civilization. However, the ambitious pursuit of wealth, happiness and freedom also appears to have a downside.
TV registration of the third theatre program by the Dutch comedian Henry van Loon. The show is about insomnia.
Destressing? Do that at home, will you! In 'Adéhadé', everything goes in overdrive, with many Dutch celebrity impressions.
After an introduction in which he reminded us all of our meaningless, shitty lives, there followed an exhilarating hour and a half packed with hilarity, a dismantling of the Jesus myth, emotion, useful tips for the bakery, a few English expressions, Skopja skopja, and above all, Wim Helsen.
In September 2013, it was exactly 12½ years ago that Bas Hoeflaak and Peter van de Witte launched their first full-length theater show 'Teer' under the name Droog Brood. The very best from six theater programs will be collected and forged into a magnificent and classic theater evening. Includes intermission and show trap. It will be fun. For the gentlemen of Droog Brood – who have finally found a reason to perform precious scenes one more time (there is talk of itchy fingers) – but of course also for the audience, who will be presented with an evening of hilarious highlights and will be able to enjoy themselves immerse yourself in a warm atmosphere of sweet melancholy. In short: the ladyfingers have been bought, the Smurfs have been called and Soekeloekie has pulled his proverbial nose out of the grease to frequently put it around the corner.