Jörgen Raymann: Slaaf of niet verslaafd

Henry van Loon: De Henry van Loon Entertainment Show

Philippe Geubels: Made in Belgium

Stage registration of the thirteenth show by the Flemish cabaret duo Kommil Foo. About man and his everyday tragedy. And that that man is a wolf to his fellow man...

Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'

Javier Guzman: Oudejaarsconference 2016: Zonde(r) Voornemens 365 voor 12

Alex Agnew talks about recent things bothering him and once again gives humor a whole new meaning by crossing the line as much as possible.

Tineke Schouten: Theatersuccessen

Roué Verveer: FF wat anders

Paul de Leeuw: Vette Pech

The Dutch cabaret artists Harrie Jekkers and Jeroen van Merwijk have performed solo for years. The two old friends have made a program together and perform with songs, stories and dialogues.

Hans Teeuwen: Echte Rancune

Veldhuis & Kemper: Tijd heelt alle zonden

Registration of the fifth theatre program by the Dutch musical comedy duo Veldhuis & Kemper. The show explores the differences between men and women.

Veldhuis & Kemper: Hitsig

The critically acclaimed Dutch theatre show filmed live on stage. This fabulous and hilarious modern revue tackles themes such as pornography, dating apps, homosexuality and ponycamps in a uniquely musical way.

Sanne Wallis de Vries: Stuk

Inspired by a fan, TV satirist Arjen Lubach makes the move from the news desk to the stand-up stage to share his search for life’s secrets. Plus, music!

Klaas van der Eerden: Sixpack

André van Duin - Ja Hoor... Daar Is Ie Weer!

Registration of the second theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. In their first program, the two comedians limited themselves to the earth and the strange peoples who inhabit it. In their second program they expand their explorations into the world of the unseen, where they test their strength with astrologers, illusionists, millennium preachers and similar figures. What mechanisms drive people to believe in supernatural madness, and to derive pleasure and comfort from it? Have we made any progress in the twentieth century? If Darwin, Freud and Einstein opened humanity's eyes, then a hundred years later there will be enough volunteers to close them again. Van Muiswinkel and Van Vleuten argue about it for a long time during this performance.