Jazzimation

On November 30, 2017 the National Park Service and National Park Foundation will present the annual National Christmas Tree Lighting. Popular entertainers and a United States military band add to the celebratory evening.

Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.

Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.

High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.

An attempt to visualize higher dimensions and unearthliness, taking into account these concepts' heightened awareness, when attempting to process or predict the end of the world.

In 1960, American dancer and actor Gene Kelly created for the Paris Opera Ballet an original choreography that was highly acclaimed at the time, yet rarely performed thereafter; a genius work that the Scottish Ballet, accompanied by the stirring and evocative score by composer and pianist George Gershwin, epitome of orchestral jazz, brings back to life sixty years later.

Sun Ra, Archie Shepp and company in concert in Paris, 1984. Documents performances and rehearsals in Paris, France, 1984. It includes the compositions "Love in Outer Space," "Nuclear War," and "1984" by Sun Ra and the standards "Tea for Two" and "Blue Lou," as well as interviews with Sun Ra and Archie Shepp.

The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.

While flying to the first stop on their latest tour, the four members of the Australian music group The Seekers recall in flashback the origins of the group and their rise to success.

This is no animation, it's one picture. Short experimental film by Mirai Mizue

This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the ink by blowing with straws or stirring with toothpicks and used stop motion animation techniques to shoot the resulting effects.

An abstract animated film inspired by the work of jazz musician Chico Hamilton.

Saxophone player Charlie ‘Bird’ Parker comes to New York in 1940 and is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him.

Ozzy, beset on all sides by the eccentricities of the artists around her, meets Jack, a city-dwelling forest sprite jazz singer. Together, they escape Dante's, the jazz club Ozzy manages, and losing herself, Ozzy finds something else.

This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.

A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.

The bold and ferocious harmonic imagination of John Coltrane is laid bare in this concert, captured at the Comblain-La-Tour Festival in Belgium, 1965. Alongside his famed quartet, he delivers a transcendent performance that is marked by the total physicality of the music – four sets of hands moving with restless vigour as vapour literally rises from their shoulders and into the night sky.

Inada plays Betty Yoshida, a singer and dancer from America who arrives in Japan to go on tour, only to be swindled by scheming managers. Penniless and cast to the streets, Betty is taken in by Oki (Nakagawa), a talented tap dancer who introduces her to a group of struggling musicians living and working together.

The weird hand creatures undergo different transformations in synchrony with the music.

Recorded Live at Tokyo International Forum Hall A on December 9th, 2007