Louise Korthals: Vlieguur

The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.

In her first show Jasperina de Jong sings songs about Sibylle, the last striptease dancer, about a Bach concert with a Woodstock vibe, about a nunnery where everyone gets addicted to mind-altering substances, about a provincial girl who travels to Amsterdam, and many more.

This show is a TV adaptation of Jasperina de Jongs second theater show. The show contains songs about abortion, about revolving flowers, about a man born with inexplicable suicidal tendencies, about the objectification of women and many more.

In the last theater show (1981) of the Dutch cabaret company Don Quishocking, the internal dispute is central. When George Groot returns from Pune, it appears that he has joined the Bhagwan movement. All group members deal with it in their own way, but it seems inevitable that the group members have grown apart.

The Dutch musical comedians Theo Nijland, Maarten van Roozendaal, Jeroen van Merwijk and Kees Torn sing and play a selection of their songs to promote the Dutch theater song.

Registration of the tenth theatre program by the Dutch comedian Theo Maassen. Maassen investigates differences between men and women, white and black.

Registration of the seventh solo show by the Dutch comedian Pieter Derks.

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Bert Visscher: Afijn

The Dutch comedian Hans Sibbel ('Lebbis') tackles some of the more absurd aspects of our capitalist world and the importance of finding truly meaningful experiences.

Jandino: Laat ze maar komen

Live broadcast from Tilburg, where Marc-Marie Huijbregts talks about the highlights of 2018.

Alex Agnew: The Legend Ends

Hans Teeuwen: Echte Rancune

Erik van Muiswinkel: Schettino!

Thomas Smith: Will set you free

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

Comedian Wim Helsen apologizes for the violence, religious extremism and lousy economy plaguing Europe, then offers a happy panacea for all of it.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.