Freek de Jonge - De Stemming

TV-adaptation of the fourth solo show by Dutch comedian Louise Korthals. In her own words: "This show is about what we pass on to the next generation."

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Wim Helsen Heden Soup! HOMELESS, KINGS, SAINTS AND COLD WATER FISHING: They all eat soup. Also mistresses love soup. They eat them with spoons, some dip bread in it or slurp on the edge of their soup bowl. One can of doing anything. Tomatoes, leeks, pumpkins, chicken. But loving thoughts, secret messages and mushrooms are allowed. And say nothing of balls. In mysterious faraway places there that make soup from nettles. Dogs bark for soup. One gets it warm from the inside (in his body).

Lenette van Dongen: Nikè

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.

Stage registration of the fourth comedy special (2006-2008) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). This show tells the story about who the Vliegende Panters really are.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

In the show, Jochem talks about his love for nature. Jochem: 'If you're going to talk about something four hundred times, you have to choose something you really want to talk about. Jokes are fun, but I want to talk about things that interest me. My three big hobbies are fishing, theater, and birds. The book De Gorgels is also about nature. I've already incorporated my passion for biology into it, and now I want to show that on stage as well.

An absurdist theatre piece by Dutch comedy duo Rundfunk. A collection of original sketches and songs.

In his first comedy special the Flemish comedian Pieter Verelst tells a bizarre story about his childhood, which he spent with his brother (existing or not) in a boring village in Flanders. Together they tackle this dullness and use it as a source of inspiration for a strange creativity.

Armed with many hilarious anecdotes, he immediately gets right to the point. With a sharp insight into his brown roots and the milky white roots of this society, he knows how to entertain the audience in his own unique way. The beautiful song "Ik mis je zo" (I miss you so much) and the antics of his ghetto cousin "Ongie" make this DVD complete.

Destressing? Do that at home, will you! In 'Adéhadé', everything goes in overdrive, with many Dutch celebrity impressions.

Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'

Mike & Thomas: De Mike & Thomas Kerstrevue

Theo Maassen is back. In all its anger, indignation, amazement about so much stupidity and lack of empathy in society, and advocates understanding and reconciliation.

Stage registration of the sixth comedy special by the Dutch comedian Micha Wertheim. The comedian notices that he has found his own audience through the years. But Wertheim also notices that his audience projects their own biased opinion on the performance, and there's nothing that Wertheim can do to change that opinion.

The Dutch comedian Hans Teeuwen gradually loses his sense of reality when he has to stay inside because of the "intellegent lockdown" during the COVID-19 pandemic. He recorded a corona comedy special at his home.

Kees van Amstel: De man die ik niet wilde worden