Shakespeare Live! From the RSC

Promotional short hosted by Laurence Olivier promoting the film "Othello."

Shipwrecked on the coast of Illyria, Viola adopts a male disguise and enters the service of Duke Orsino, only to find herself part of a triangle of unrequited love. Meanwhile, in the household of the Countess Olivia, Sir Toby Belch and his unruly companions trick Olivia's strict and disapproving steward, Malvolio, into believing that she loves him.

Welles scholar Joseph McBride discusses the 1952 film adaptation of William Shakespeare's play. (A 32-minute edit of this documentary was presented by the Criterion Collection in their edition of Othello.)

On a June night in 2017, opera lovers thronged to the Royal Opera House in London to hear tenor Jonas Kaufmann, recently acclaimed by The Daily Telegraph as the world s greatest tenor, make his eagerly anticipated debut in the title role of Otello Verdi s greatest and most demanding role for tenor voice. As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.

An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

A banished hero of Rome allies with a sworn enemy to take his revenge on the city.

In this re-imagining of Shakespear's King Lear, Patrick Stewart stars as John Lear, a Texas cattle baron, who, after dividing his wealth among his three daughters, is rejected by them.

A documentary about the 1978 stage production of The Taming of the Shrew by the New York City Shakespeare company at the Delacorte Theatre in Central Park. Includes scenes from the production, interviews with Meryl Streep (Kate) and Raul Julia (Petruchio) as well as an introduction by producer Joseph Papp and audience commentary.

Verdi’s monumental score is fully the equal of Shakespeare’s famous tragedy—and both demand great actors. This is one performance where both playwright and composer are well served. Plácido Domingo’s Otello is one of the glories of the operatic world, beautifully sung and so commandingly acted that audiences are devastated by the end. Renée Fleming’s ravishingly beautiful Desdemona is deeply moving, and as Iago, James Morris is as beguiling as he is menacing. Under James Levine’s conducting the Met orchestra and chorus are vital characters in the drama.

Hallmark Hall of Fame's second version of Shakespeare's classic play, with the same two stars and the same director as its first version, but a different supporting cast.

Don Pedro and his men (Teddy Roosevelt Roughriders) have returned from the wars. After Beatrice turns down his proposal, Don Pedro decides to matchmake her with Benedick (her former boyfriend), but she being an independent-minded, bicycle-riding Suffragette type, it's going to take a bit of trickery.

Shakespeare's As You Like It is a delightful romantic comedy , lavishly staged by the renowned Stratford Festival. A favorite with audiences throughout the centuries, this fairy tale is a brilliant magical celebration of romance, passion and unity. Pitting young love against the vanity of the court. It is the familiar story of exiled lovers reunited, of woodland meanderings, of mistaken identity and disguise, and of political wrongs set right. As in all of Shakespeare's plays, this is a story rich in mythology which deals with the transformation of souls from evil to good.

A new documentary on the Criterion Collection edition of Roman Polanski's 1971 adaptation of Macbeth featuring interviews with the director, producer Andrew Braunsberg, assistant executive producer Victor Lownes, and actors Francesca Annis and Martin Shaw.

This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.

A 1971 documentary by Frank Simon featuring rare footage of the film’s cast and crew at work.

The tale begins when a brother and sister are separated in a shipwreck, but survive to be washed up on the shore of Illyria. The sister, Viola, disguises herself as a man and takes service with Duke Orsino, who has fallen in love with Lady Olivia. Entrusted with pleading on her master's behalf, Viola is utterly disconcerted to find that Olivia has fallen in love with her. Thus begins the confusion of this delightful comedy.

A rich American businessman in London makes believe he's lost all his money so that his daughter will marry a composer.

Baptista has two daughters: Kate and Bianca. Everyone wants to wed the fair Bianca, but nobody's much interested in problem child, Kate. Baptista declares that he won't give Bianca away in a marriage until he's found a husband for Kate, so all the suitors begin busily hunting out a madman who's willing to do it, and they find Petruchio: a man who's come to wive it wealthily in Padua. And Petruchio marries Kate with a plan to tame her, while everybody else begins scheming to win Bianca's hand.