The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.
Broadcast live on the Hallmark Hall of Fame series on NBC, a pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
A mockumentary examination of Shakespeare's greatest tragedy using "breaking news" style interviews and commentary.
Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.
This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.
Kevin Spacey, Sam Mendes and the Bridge Project Company go on the road in NOW: in the Wings on a World Stage. In over 200 performances, and across 3 continents, Kevin and the troupe reveal some of the most intimate moments behind the scenes of their staging of Shakespeare's classic tragedy, "Richard III." Their story and experiences weave around, and reflect on, excerpts from the play from their various locations, from Epidaurus to Doha, and provides a great opportunity for those who have never experienced Spacey on stage to witness his immerse and captivating interpretation of Richard III. NOW chronicles the first collaboration between Spacey and Mendes since both won Academy Awards® for their work on American Beauty.
A banished hero of Rome allies with a sworn enemy to take his revenge on the city.
Shipwrecked on the coast of Illyria, Viola adopts a male disguise and enters the service of Duke Orsino, only to find herself part of a triangle of unrequited love. Meanwhile, in the household of the Countess Olivia, Sir Toby Belch and his unruly companions trick Olivia's strict and disapproving steward, Malvolio, into believing that she loves him.
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."
An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.
The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.
The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.
Norwegian researcher Petter Amundsen claims to have deciphered a secret code hidden in legendary playwright William Shakespeare's works that reveals a map leading to the location of certain treasures. British Shakespearean scholar Robert Crumpton embarks on a mission to prove he is spectacularly wrong. (A remake of “Shakespeare: The Hidden Truth,” including new discoveries.)
Hamlet comes home from university to find his uncle married to his mother, and his father's ghost haunting the battlements and scaring the watch. Then his father's ghost directs him to seek revenge.
Henry Bolingbroke has now been crowned King of England, but faces a rebellion headed by the embittered Earl of Northumberland and his son (nicknamed 'Hotspur'). Henry's son Hal, the Prince of Wales, has thrown over life at court in favour of heavy drinking and petty theft in the company of a debauched elderly knight, Sir John Falstaff. Hal must extricate himself from some legal problems, regain his father's good opinions and help suppress the uprising.
The death of King Henry the Fourth and the coronation of King Henry the Fifth.
The life of King Henry the Sixth, in three parts.