Where the Wind Blew, looks at the legacy of nuclear bomb testing during the Cold War in Kazakhstan (USSR) and Nevada (USA) told through the eyes of the victims, activists and participants.
Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.
President Mikhail Gorbachev recounts the end of the Cold War and the reduction of nuclear arms.
Doctors of the Dark Side is the first feature length documentary about the pivotal role of physicians and psychologists in detainee torture. The stories of four detainees and the doctors involved in their abuse demonstrate how US Army and CIA doctors implemented the Enhanced Interrogation Techniques and covered up signs of torture at Guantanamo and Abu Ghraib. Interviews with medical, legal and intelligence experts and evidence from declassified government memos document what has been called the greatest scandal in American medical ethics. Based on four years of research by Producer/Director Martha Davis, written by Oscar winning Mark Jonathan Harris, and filmed in HD by Emmy winning DP Lisa Rinzler, the film shows how the torture of detainees could not continue without the assistance of the doctors.
The documentary tells two very different human fates in the 1920s Soviet Union. Nikolai Vavilov was a botanical genius, Trofim Lyssenko was an agronomist who made great promises and fake inventions. Each of them tried to solve the country's nutritional problem, but only one succeeded.
“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.
U.S. nuclear tests in space, and the development of the military intercontinental ballistic missile (ICBM).
The Conference on Security and Cooperation in Europe (CSCE) was the starting point for the slow but sure collapse of communist authoritarian rule in Eastern Europe. The Helsinki Effect offers new perspectives on the events of the Cold War. The film tells the story of the CSCE process, which had a major impact on the end of the Cold War, and sheds light on secret top-level discussions behind closed doors, through voice simulations using artificial intelligence.
Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.
The film features a meeting led by Dave Taylor, the shelter manager, discussing the protocols and responsibilities for staff members involved in managing a public shelter. Key participants, including operations deputy Harvey Johnson and health leader Mrs. Carter, outline their roles in ensuring a smooth entry for occupants during an emergency. The meeting emphasizes the importance of organization, communication, and the distribution of supplies. Staff members are encouraged to familiarize themselves with each other's duties and prepare for potential scenarios, including managing newcomers and ensuring safety and sanitation within the shelter.
A man named Walt who has recently completed building a fallout shelter in his home, a project initiated due to the threat of nuclear war during the Cold War era. Walt demonstrates to his friends the multi-functionality of the shelter, which can also serve as a darkroom, an extra bedroom, or a safe space during tornadoes. He explains the construction process in detail, emphasizing the need for precise measurements, proper leveling, and the use of concrete blocks for radiation protection. The shelter includes a stock of essentials like a radio, batteries, and a fire extinguisher. Walt’s narrative is interspersed with advice on obtaining official bulletins for guidance and the importance of building shelters correctly. The film concludes with a message from the Director of the Office of Civil and Defense Mobilization, advocating for the construction of family fallout shelters across America as a means of personal safety and national security in the nuclear age.
A training film for public shelter managers explaining when people should be allowed to leave the shelter after a disaster.
Created in 1963 at the height of the Cold War, this Civil Defense training film uses a dramatic premise to show how emergency staff should manage and organize a large public fallout shelter during a crisis. A Shelter Manager is shown immediately taking control of the situation in the shelter, speaking calmly to those who have made it into the facility, closing the door promptly once the shelter is full, and sticking to the "shelter plan" as the situation unfolds. Some of the areas discussed in this nuclear war drama are the safety plan, regular inspections, supervised public entry into shelters, ventilation, first aid, sanitation, fire prevention, decontamination of personnel, and more. "Shelter living is different," the Manager states, "But we have a trained staff that will make your stay in this shelter livable for us all."
A heavily dramatized Civil Defense film that demonstrates how a public fallout shelter is supposed to function after a nuclear attack. This scenario takes place in a fictional any town called "Middlebury". The film describes the situation in a public shelter in Middlebury following an attack on the United States.
Training film for shelter managers. Food, water, sanitation, medical, and radiation detection systems are explained.
This Cold War film "Information Within Public Shelters" (1953) takes place in a fallout shelter, showing how a well-trained staff that provides information to shelter occupants, can keep them busy and calm during nuclear armageddon. This film was produced as the U.S. Government began to shift from promoting privately-owned "family" fallout shelters to the concept of large, public shelters.
2019 marks the 30th year since the fall of the Berlin Wall and the end of the Cold War. Rich Hall examines the relationship between the West and the USSR in his inimitable fashion.
Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.
The Moscow Case is a 52 minute documentary with never-before-seen footage of Michael Jackson in Moscow during the "Dangerous" tour. This film tells the behind the scenes story of Jackson's ill fated concert in September 1993. It includes unique archival footage showing Michael close up and personal while meeting fans and playing with orphan children.
A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S.