The accidental breakdown of an irrigation valve launches a hot confrontation between the mainly Latino farmers in a tiny New Mexico town and the real estate developers and politicians determined to acquire their land for a golf resort.
In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.
Sunday morning values, Saturday morning fun! It’s a tale of good versus evil with beans! Lord of the Beans follows the fantastic journey of a Flobbit named Toto Baggypants (Junior Asparagus) who inherits a most unusual and powerful bean. With the help of his mentor Randall and a spirited group of friends, Toto embarks on a mission to discover how he should use his gift. On their quest, the group encounters many challenges, including crossing the mountains of Much-Snowia, and facing the dreaded Lord Scaryman – who seeks the bean for misguided, selfish reasons. Will Toto discover the purpose of his giver, or will the scary dude and his Spark army capture the bean and wield its awesome powers?
W.C.Fields enters the Warmer Bros. Studio. Beans tries to drive in, but the guard throws him and his car against a tree. Charlie Chaplin drives in, followed by Oliver Hardy on foot - but we see that it's really Beans in disguise. Oliver Owl is directing a picture; Beans sneaks onto the stage. He's watching from a catwalk when someone knocks him off, into the middle of the scene. Beans is thrown off the set, right into the set of a Frankenstein movie. He accidentally brings the robotic monster to life, and it crashes into the original studio, eating the camera. Beans tries to stop the monster, but is sent flying. He lands against a wind machine. which chops up the monster.
Two couples go on a boating holiday together, and run into some strange people and events.
In an age of darkness and despair, a century of pain and suffering, a hero rises from the ashes of known civilization and defeats the forces of evil. And just who may this hero be? BEAN BOWL!!!!!!!!!!!!
Eva is a career woman who loves her job and hates beans. In the aftermath of rejecting a marriage proposal, Eva finds herself increasingly tormented when a sentient can of beans sets out to ruin her life. Fighting to maintain her autonomy, Eva endures the bean’s tactics until she must make a choice: betray herself, or die.
The Bean Pit follows Barold, a disgruntled employee working for BP (Bean Pit) Beans. His day begins like any other, running routine inspections on the Infinite Bean Pit with his co-worker Benny. What first starts as a “normal” day at work quickly devolves into chaos as Barold inadvertently witnesses the terrors that his corporate overlords are trying to hide. Barold finds himself entangled in BP Beans’ web of conspiracies, and can’t seem to find his way out.
Bottleneck is an experimental video which is, in part, a reflection on borders. Using a jar of sprouting Mung beans as a metaphor it takes into consideration contemporary manifestations of national borders as they relate to regional and international growth and movement. This video emerges from questions such as: Who gains access? How does water transform a space and its borders? Who can move freely and access resources? What moves in and out of a given space and the boundaries that attempt to demarcate and contain it?
A young farmboy who can't seem to communicate with his father develops an attachment to a young red pony.
A housewife and her teenage daughter, fleeing their boring lives, stop in a diner in the California desert. She runs up against the diner's owner, a gruff, beer-drinking artist whose life's work is the neon sculptures he collects and attaches to the ceiling.
In a small village of Naples three friends, Francis, Mimmo and Lello, manage to get a meeting with three beautiful Bulgarian girls known on the Internet, scheduled for Christmas. The wives alarmed try to stir the spirits of the three hot husbands, but the whole thing is just a trick of three Bulgarians with intent to deprive the people of their assets in the country and that the girls will not.
Kathrin and Wolfgang are not exactly blessed with riches, but they love each other more than anything, and that (still) outweighs their financial worries. When Wolfgang fails his architecture exams, Kathrin looks for a job as a secretary to support her family. However, Kathrin has to pretend to her new boss, Director Wilkens, that she is single. Meanwhile, Wolfgang is working as a househusband, with neighbor Uschi gladly supporting him. One day, Kathrin has to accompany her boss on a trip, during which he gives her all kinds of compliments and presents. Meanwhile, Wolfgang is celebrating his second wedding anniversary alone at home when Uschi suddenly appears at the door. A misunderstanding leads to a telephone argument between Kathrin and Wolfgang, which turns into grounds for divorce when she returns home. But then everything turns out quite differently.
Based on the autobiography of Brooke Hayward, daughter of famous Broadway producer Leland Hayward and actress Margaret Sullavan, who grows up in the glamorous, cruel and emotionally unstable world of her parents.
Racketeer Gillin is paroled from prison and immediately goes to work trying to make an illegal buck from America's war effort. With rationing in effect the black market tire business is booming. Gillen's mob sets up car lots around town where they peddle stolen tires and "new" tires milled in the gangster's factories from cheap faulty materials. People begin to die in crashes as the defective tires fail. Bill Barry leads his fellow defense plant workers on a crusade to uncover the source of the black market rubber and bring the guilty to justice. Although clearly intended to warn the public about black market tire smuggling, Rubber Racketeers holds it own as a saga of mobsters versus an irate public.