Kartellen - Light up the Shadows

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A documentary about the killing spree of Brenda Spencer, the 16-year-old schoolgirl who opened fire on a school playground in January 1979, killing two men and injuring eight children. Her only explanation of her actions was "I don't like Mondays". This incident was the first ever school shooting of its kind, and inspired the Boomtown Rats' number one hit song I Don't Like Mondays

The world of hip-hop lyrics has changed, simple rhyme schemes just don't cut it. Rhymes are put under a microscope, and there is no lyrical leeway for emerging artists. This gripping documentary tells the story of Jeff Walker.

A heinous crime unleashes a media firestorm trial that lands Scott Peterson on death row for the murder of his wife and unborn child. Ten years later it is clear that not everything in this case is what it seems, raising the question: was justice truly served? Using evidence and new information that was never presented to Peterson’s jury at the time, This film re-examines the facts of the case and the affect the intense media attention had on justice.

A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.

Weed. Marijuana. Grass. Pot. Whatever you prefer to call it, America’s relationship with cannabis is a complicated one. In his directorial debut, hip hop pioneer Fab 5 Freddy presents an unparalleled look at the racially biased history of the war on marijuana. A range of celebrities and experts discuss the plant’s influence on music and popular culture, and the devastating impact its criminalization has had on Black and Latino communities. As more and more states join the push to legalize marijuana, this documentary dives deep into the glaring racial disparities in the growing cannabis market.

A group of friends launching a groundbreaking hip-hop showcase in their city rise to popularity, but their unity is tested by diverging ambition

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

Criminal Minded: Live at the Crime Scene

Joe wants to be a rapper. Max wants to be a filmmaker. They go to a secluded house in rural Virginia to document the production of Joe's demo CD. But what begins as a funny music documentary turns into a film about Joe's harrowing battle with a self-destructive alter-ego.

A documentary that explores the challenges that a life in music can bring.

African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.

The documentary film "Mr. Dial Has Something to Say" investigates the problem of classism and racism in the elite American art world. By following the dramatic, disturbing story of Thornton Dial, a 79-year-old American-African artist from Alabama's Black Belt.

East Coast natives Napoleon, Young Noble, Edi and Kastro attempt to unify the thug nation.

A year in the life of troubled Australian graffiti artist Justin Hughes.

We have volunteered for the Earth Conservation Corps to restore the Anacostia river and the Washington wasteland where we live and often meet an early violent death. We are striving to return our nation's bird,the bald eagle, to our Nation's Capitol. If the eagles survive maybe we can too. We began filming this documentary in 1992 to show people our America. "Endangered Species" is our story. - Written by Antoine Woods

Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

Twenty One Pilots: Live at Lollapalooza Berlin