How Long, Not Long

An outrageous, affectionate look at coming of age in the Eisenhower era in Brooklyn.

Using innovative animation and expert insights, this documentary based on Ibram X. Kendi's bestseller explores the history of racist ideas in America.

Brother Rabbit, Brother Bear, and Preacher Fox rise to the top of the crime ranks in Harlem by going up against a con-man, a racist cop, and the Mafia.

Fritz, now married and with a son, is desperate to escape from the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one that will provide a pleasant distraction.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

A fragmented portrait of a moment, a person, and a place, seen through the subjective memories of a young Black girl, Imani, and a rookie police officer, David, who both have wildly different recollections of the same fateful moment in a corner store that will leave their lives altered forever.

The story of a rabbi and his talking cat, a sharp-tongued feline philosopher brimming with scathing humor and a less than pure love for the rabbi's teenage daughter.

With their marriage on the rocks, Fred and Wilma take a holiday together to rekindle the fire in their relationship.

Experimental documentary examining the interaction of hate, religion, and the apocalypse in the United States.

Free to Be…You and Me, a project of the Ms. Foundation for Women, is a record album, and illustrated book first released in November 1972, featuring songs and stories from many current celebrities of the day (credited as "Marlo Thomas and Friends") such as Alan Alda, Rosey Grier, Cicely Tyson, Carol Channing, Michael Jackson, and Diana Ross, among others. An ABC Afterschool Special using poetry, songs, and sketches, followed two years later in March 1974. The basic concept is to encourage a post-60's gender neutrality, while saluting values such as individuality, tolerance, and happiness with one's identity. A major thematic message is that anyone, whether a boy or a girl, can achieve anything.

The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.

When Bill Babbitt realizes his brother Manny has committed a crime he agonizes over his decision to call the police.

Betty Boop and friends meet Louis Armstrong on a jungle safari.

A hard-on-his-luck hound finds himself in a town full of cats in need of a hero to defend them from a ruthless villain's wicked plot to wipe their village off the map. With help from a reluctant mentor, our underdog must assume the role of town samurai and team up with the villagers to save the day.

A short film depicting a dad's influence on a young boy's life. His judgmental character mixed with the boys fondness for his dad prove to be a toxic mix that tears away at a world of opportunity and experiences.

The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.

Piggy and Fluffy have adventures on a riverboat and Uncle Tom is chased by skeletons promising to take him to Hallelujah Land. One of the "Censored 11" banned from TV syndication by United Artists in 1968 for racist stereotyping.

An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.

In a white lace universe, three inventors create machines which are both pretty and useful. Unfortunately people do not understand them...

Adaptation of the satirical poem by Samuil Marshak, ridiculed racism. Mister Twister with his family went to the USSR on the boat, previously agreed with the Cook Travel Company to any boat or in the hotel was not "blacks, Malays and other riff-raff." Arriving in Leningrad, Twister and his family stayed at the hotel "Engleterre", and everything went smoothly until they saw on one of the floors the guest from Africa.