Chasing Rewind

A Última Locadora da Cidade

A short documentary about the final weeks of an independent video store in Woodbury, CT.

As the dissociated convenience of the Internet and globalized corporate culture continue to shut down brick-and-mortar video stores, what will happen to the longstanding, local hangouts with their rugged individuals known as clerks and the communities who love them? Videosyncracy follows three very different video rental stores as they negotiate their survival in three distinct Los Angeles neighborhoods: Old Bank DVD in the Downtown arts district, Vidiots in sunny seaside Santa Monica, and Eddie Brandt’s Saturday Matinee in bustling North Hollywood. Their stories chronicle not only the birth and twilight of a particular kind of corner store, but also decades of personal lives intertwined with those of their communities, the new challenges and facilities of a rapidly changing world, and an enduring love of the movies, a slice of Americana on the brink of disappearance yet defiant to the end.

A 60 minute documentary on one of the greatest video stores in the country, Video Headquarters, from Keene, New Hampshire that existed for 32 years from 1983-2015. It's owner, Ken McAleer, was a prominent figure among independent video store owners and the documentary examines how one man, with a single video store, can have such a big impact in the industry. A labor of love from a first time filmmaker and former employee, this nostalgic look back at the video store era includes interviews with VHQ owner Ken McAleer, employees, comic artist and former video store owner, Stephen Bissette, and a treasure trove of archival photographs and documents from the store.

Rod O'Hara bought Bellingen Video Connection in 2018 when video stores were already considered to be on the way out – if not already dead. Now, years later, against all the odds, and after facing many personal setbacks, Rod and the local community have kept this iconic local business and bastion for lovers of television, film and screen culture alive - but for how long?

A video store clerk showcases clips from Z-grade horror movies to curious customers.

The last video store in all of Lancaster County prepares to close for good. This documentary follows the Stalter family as they cope with leaving the video rental business after 35 years.

Surrounded by a rapidly-developing marketplace, local Western Australia video rental stores struggle to keep themselves afloat.

Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim's Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.

Equal parts personal essay, intense rumination, and playful satire, this movie laments the death of the American Video Store while it searches for the missing human element in today's digital landscape.

The physical media format of film is in a constant state of unease, but what happens when industry professional and legally blind business owner, Shelby McIntyre, takes it upon himself to open Tampa’s only true video shop?

A documentary on the last remaining Blockbuster Video in Bend, Oregon.

Home video changed the world. The cultural and historical impact of the VHS tape was enormous. This film traces the ripples of that impact by examining the myriad aspects of society that were altered by the creation of videotape.

20th Century Flicks is the oldest video rental store in the world. Its small, close-knit crew has unwittingly become custodians of the largest collection of DVDs and VHS tapes in the UK, and faces a constant struggle to adapt and survive in the age of streaming and downloading.

A documentary ode to legendary New York City video store Alan's Alley, where bizarrely arranged movies enticed clientele from cinephile to celebrity to local prison inmate. Charismatic owner Alan Sklar sifts through the nuance of his neon-flickering livelihood, in his store’s last days as a fixture in Manhattan’s Chelsea neighborhood.

Documentarian Dhara Wright and Steven T. Hanley of Deeper Into Movies are given the opportunity to rummage Avon Video, a London video store left abandoned for about 20 years.

While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of a low-life burglar. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father rolls into town, hell-bent on revenge.

Flo und sein Kumpel Hotte arbeiten in der mies gehenden Neuköllner Videothek Video König. Kein Wunder, denn Hotte glänzt mit null Filmwissen, und Flo muss mit damit fertig werden, von seiner Freundin verlassen worden zu sein. Die beiden Unglücksvögel lassen sich vom Kiez-Gauner Bernhardt abzocken, von Schlägern die Fresse polieren und Inkasso-Unternehmen drangsalieren. Ein Glück, dass für Flo wenigstens wieder die Liebe in Form von Nachbarin Ramona lacht, auch wenn diese möglicherweise eine Prostituierte ist.

A man whose brain becomes magnetized unintentionally destroys every tape in his friend's video store. In order to satisfy the store's most loyal renter, an aging woman with signs of dementia, the two men set out to remake the lost films.

When journalist Dennis gets assigned to write about Pretty Woman for Marquee magazine's “Hooray for Hollywood Hookers” issue, he invites five friends over to screen, celebrate and skewer the modern-day Cinderella story. The partiers include his roommate Tony, a burnt-out cruise ship crooner who's desperately looking for a new gig on land; Lauren, a relationship-challenged aspiring stand-up comic; Marcos, a sweet-natured attorney who never met a tangent he couldn't go off on; Ross, an Opera-loving video clerk with multiple tattoos and arsenal of movie fun facts at the ready; and Dr. Beverly Beaverman, the shrink next door who finds Freudian psychological meanings in everything she sees. Together, they do their best to make sense of the 1990 Richard Gere-Julia Roberts romantic comedy classic while discovering that the movie's themes—sex, money, sex for money—resonate in their lives in ways both ridiculous and profound.