Birthright: A War Story

Interview with multi-disciplinary artist Liv Edwards discussing her work The World Turning Honest which focuses on Women's reproductive rights, delving in to the process of creating this installation work

The documentary deals with the experiences around orgasm of Paraguayan women of different ages and provides the vision of a sexologist who comments on these experiences. In the conversation that is generated from this social dynamic, taboos, myths and common situations in relationships are discussed.

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.

On August 15, 2021, Afghanistan descends into chaos. In one day, the completion of the withdrawal of Western forces precipitated the debacle of the regime in place: the army vanished, the leaders fled and the Taliban took Kabul without a fight. The great Central Asian country opens a new chapter in its tragic history, twenty years after the "war on terror" launched by George W. Bush in response to the attacks of September 11, 2001. The undisputed masters of 40 million trapped Afghans, the "students of religion" are back and are savoring their revenge by posing as the United States' victors. Their program will surprise no one: to restore the Islamic emirate and set up the "true" sharia, i.e. a perfect world, with divine commandments applied to the letter as in the time of the prophet.

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

When filmmaker Gina Hara sets out to explore the hidden half of nerd culture, she struggles through unexpected resistance. Welcome to the world of cute dresses, professional gamers, fake names and death threats.

Outlawed in Pakistan tells the story of Kainat Soomro as she takes her rape case to Pakistan's deeply flawed court system in hopes of getting justice. The 13-year-old Kainat accuses four men of gang rape and shortly after is ordered to be killed by her village elders. Spanning over five years, the story is told through the perspective of Kainat and the four men accused of her rape.

Four women are on an existential journey in Morocco, connecting with local women from all walks of life bonding in sisterhood, and share their common quest for empowerment.

In the years following the Civil Rights movement and the passage of Title IX in 1972, Dr. Donnis Thompson (a headstrong African-American female coach), Patsy Mink (the first Asian-American U.S. congresswoman), and Beth McLachlin (the team captain of a rag-tag female volleyball team), battled discrimination from the halls of Washington D.C. to the dusty volleyball courts of the University of Hawaii, fighting for the rights of young women to play sports.

Love Alone Can’t Make a Child chronicles the love story and emotional odyssey of Maria and Christiane who, for over a decade, have been trying to fulfil their desire of giving birth to a child of their own. The director, a childhood friend of Maria, lovingly narrates the couple's journey, showcasing their resilience in the face of ever-increasing challenges, and the intricate dynamics of a relationship under tremendous strain. More than anything else, the film continually pursues what love truly means in a long-term romantic relationship.

An unprecedented access to a number of Saudi women in the capital city of Riyadh as they embrace the freedom that comes from being behind the wheel.The Saudi Women’s Driving School is said to be the world's largest driving school, which caters exclusively to women since the ban on female drivers was lifted in 2017.

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

Panamanian women tell their struggle to overcome inequality and discrimination in the political and public sphere and for the right to universal suffrage which they obtained in 1946.

Nearly three years have passed since the "Woman, Life, Freedom" protests in Iran. Many who took part in the 2022 (1401) demonstrations paid a heavy price: some were killed, many were permanently injured, others were sentenced to long prison terms, and many lost their jobs. Among the well-known figures who supported the protests was Taraneh Alidoosti, one of Iran’s most prominent film actresses. After she posted an unveiled photo of herself and later protested the execution of Mohsen Shekari, she was imprisoned. Following her release, she became ill and remained out of the public eye for some time. Alidoosti has also been banned from acting in cinema. For the first time, in the documentary Taraneh, produced by Pegah Ahangarani, Alidoosti speaks about her decision to join the protest movement after the killing of Mahsa Amini. She talks about the day she was arrested at home in front of her little daughter and about the loss of her skin due to an autoimmune disease.

Produced by the activist video collective ACT UP/NY called DIVA TV (Damned Interfering Activist Television), this tape analyzes the collaborative demonstration "Stop the Church" by WHAM! (Women's Health Action and Mobilization) and ACT UP/NY on December 10, 1990, against Cardinal John O'Connor and the Roman Catholic Church's murderous stand on abortion rights, safer sex, and homosexuality.

Béatrice Dalle, Lio, Brigitte Fontaine, Corinne Masiero, Aïssa Maïga, Virginie Despentes, Maria Schneider, Gisèle Halimi, Juliette Gréco, and Adèle Haenel—these women lived on their own terms, defying conventions and embracing lives often deemed "scandalous." Labeled frivolous, hysterical, or simply too free and too loud, they faced criticism yet used controversy as a force for change, challenging norms and advancing women's rights. This documentary retraces seventy years of their bold and unconventional journeys, telling the story of the fearless women who shaped history and fought for a more equal world.

Leonard Bernstein’s protégée Marin Alsop reveals how she smashed the glass ceiling to become an internationally renowned conductor.

In an America where more and more women and trans people are losing legal bodily autonomy, the history of Bill Baird’s long fight for women’s right to abortion is as relevant as ever. Oscar-nominated filmmaker Rebecca Cammisa doesn’t just give us a portrait of Baird, but also creates a historical register of allyship and activism that those fighting to uphold freedom and choice can access, and perhaps emulate.