Stage registration of the second comedy special (1998-2000) by the Dutch comedy troupe De Vliegende Panters (The Flying Panthers). The show consists of songs and skits on a variety of subjects, such as Hitler, french kisses, senseless violence, lying and Marketing, the Musical.
Registration of the fourth theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. The comedy duo broke up after their last program: Van Vleuten has started a second-hand bookstore and seeks solitude. The TV-personality Van Muiswinkel regularly visits his intellectual friend and gradually takes on increasingly insane guises.
Registration of the second theatre program by the Dutch comedy duo Droog Brood (Bas Hoeflaak and Peter van de Witte). The show is a sum of apparently separate scenes that show the human struggle and the desire for affection. Misunderstandings and clumsiness determine our interactions with each other, while meanwhile there is always the consciousness that love will bring us the deepest happiness. But affection is always present. The characters in this show fail, but ultimately they find an answer in the simplicity of the moment.
Registration of the fifth comedy theatre show by the Dutch comedy duo Droog Brood (Bas Hoeflaak and Peter van de Witte).
Registration of the "musical-pastiche theatre program" by the Dutch comedian Brigitte Kaandorp. She accompanied by an ensemble and several musicians.
The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.
Registration of the fifth theatre program by the Dutch comedian Claudia de Breij.
In his first show, Henry was only concerned with entertaining his audience and no more than that. In Electropis he talks about essential things: about his generation Y, materialism, fear, love and nice women. Is this performance intense? Yes. Funny? That's for sure. And is it really about the aforementioned themes? Probably not.
A stand-up comedy set by the Dutch comedian Thijs van Domburg, recorded live in Toomler in January 2010.
Theatershow
Hans Teeuwen, Gummbah en Pieter Bouwman: Poelmo, Slaaf van het Zuiden
Jandino Asporaat riffs on the challenges of raising kids and serenades the audience with a rousing rendition of "Sex on Fire" in his comedy show.
Stage registration of the fourth comedy special by Dutch comedian Micha Wertheim. A show about anger, repetition, change, and repetition.
André van Duin - Ja Hoor... Daar Is Ie Weer!
After five theatre programs, the comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten performed one more time with an anthology from their previous programs.
Even Slikken (2000) is the sixth show of Jörgen Raymann. He performed in the Zuidplein Theatre in Rotterdam, the Netherlands. The show was a Dutch production and was very well received by the press. One year later the show was released on DVD and CD.
Karin Bloemen: Kameleon
In his stand-up show 'Oorverdovend,' Javier Guzman finds humor in such serious topics as his rough childhood, intolerance and our drifting society.
Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.
Marian and Ido are married and have a 16-year-old daughter, Pinkie. Marian and Ido's marriage has become boring. Ido is a conservative and neat furniture manufacturer, but secretly starts a relationship with the beautiful Emma, his secretary. When Marian discovers this, she offers him a choice: stay with her or move on with Emma. Ido cannot make this choice, so Marian throws him out. Ido moves in with Ida, but continues to interfere intensively with Pinkie, who to his horror becomes friends with Wim, one of his Turkish workers.