Secret Santa Sex Party

The sequel to This is America, aka Jabberwalk. This film goes inside the real America circa 1980 - a world of punks, orgies and worm-eating hicks! Romano Vanderbes back on the film making side and Norman Rose back on narrating duty for the second of the This Is America trilogy. Things kick off slightly louder this time with a performance by The Dictators doing a version of America the Beautiful while the titles role, then right into piece about punk star Jello Biafra of the Dead Kennedy's running for mayor of San Francisco. Then back into a more This Is America feeling segment about a crazy fat bloke called Captain Sticky. Among some of the other more interesting segments we get a look at underground vagrants, a piranha attack, martial arts nuns, a family of worm eaters, a drug abusing church and ends with a death row electrocution.

When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.

GlitterBomb is a fantastic 32-minute documentary that showcases the best of the 2015 Mardi Gras season. It features interviews with Courtney Act, Bianca Del Rio, Nick Jonas, Alex Greenwich, Dan Murphy and Jake Shears, as well as local identities and international tourists, each sharing their experiences and perspectives on our fabulous Festival celebrations including Harbour Party, Pool Party, Parade and MG Party.

Through the voices of Americans from all walks of life, The Out List explores the identities of the lesbian, gay, bisexual, and transgender community in America. In this series of intimate interviews, a diverse group of LGBTQ personalities bring color and depth to their experiences of gender and sexuality. With wit and wisdom, this set of trailblazing individuals weaves universal themes of love, loss, trial, and triumph into the determined struggle for full equality.

Built upon a 14 hour interview, McKellen: Playing the Part is a unique journey through the key landmarks of McKellen's life, from early childhood into a demanding career that placed him in the public eye for the best part of his lifetime. Using an abundance of photography from McKellen's private albums and cinematically reconstructed scenes, a raw talent shines through in the intensity, variety and devotion to that moment in the light.

A short observational account of one Saturday night in the mundane life of Stuart. He gets drunk, goes out to clubs,, searches for love and falls asleep unfulfilled on the floor of the club.

Caught between two genders, the artist Eli Leven and Ester Martin Bergsmark touch and caress each other, while they bath together in clouds of steam. A persuasive voice-off describes the often hard and painful growing process, which led them to choose to be neither males nor females. But something else entirely. While memories of adolescences scarred by homophobia and discrimination are presented, the audience is also captivated by poetic evocations of bodies, of snowy woods, water, nature, and snails: the symbol of androgyny. This movie moves the audience profoundly. It is a hymn to sexual fluidity, which reveals the search for the true self, rendered through the use of contrasting, vivid, and often acid bright photography. Intended as a television portrait of the transgender artist Eli Leven, it is a psychedelic docu-fiction, a hybrid movie inspired by Derek Jarman's Sebastian.

In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover’s sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way. We gain a historic perspective on New York's gay liberation movement, in which Wojtowicz played an active role. In later footage, he remains a subversive force, backed by the unconditional love of his mother Terry, whose wit and charm infuse the film. How and why the bank robbery took place is recounted in gripping detail by Wojtowicz and various eyewitnesses.

The film is a documentary that explores the world of two underground actors, Thomas Goersch and Marco Klammer, through conversations, reflections and previously unseen content, offering a glimpse into their world and into the creative process of director Marian Dora.

Kaio Brandon is a male prostitute trying to find himself in the big city. He has been selling his body for money since he was 14, unaware that many others like him are part of a worldwide sex industry and human trafficking that corrupts children forever. Kaio wants to change his life and become a nurse, but will h be able to overcome the labels?

In 1990, seven young male dancers joined Madonna on her most controversial world tour. Their journey was captured in Truth or Dare. As a self-proclaimed 'mother' to her six gay dancers plus straight Oliver, Madonna used the film to make a stand on gay rights and freedom of expression. The dancers became paragons of pride, inspiring people all over the world to dare to be who you are. 25 years later, the dancers share their own stories about life during and after the tour. What does it really take to express yourself?

This provocative documentary uncovers a lost chapter in Canadian military history: how the Armed Forces dealt with homosexual behaviour among soldiers, during and after World War II. More than 60 years later, a group of five veterans, barely adults when they enlisted, break the silence to talk about how homosexual behaviour "was even more unmentionable than cancer." Yet amidst the brutality of war, instances of sexual awakening among soldiers and officers were occuring. Initially, the Army overlooked it, but as the war advanced, they began to crack down: military tribunals, threats of imprisonment, discharge and public exposure. After the war, officers accused of homosexuality were discharged. Back home in Canada, reputations and careers were ruined. For the young men who had served their country with valour, this final chapter was often too much to bear. Based on the book Courting Homosexuals in the Military by Paul Jackson.

Love in a concentration camp. A young Jewish gay man, Otto, is protected by a "kapo" (a fellow prisoner) and an SS guard who unexpectedly ends up saving his life.

Every weekend, the gay male choir G-Voice rehearses in Seoul. The choir, being a kind of antidote to homophobic Korean society, makes the everyday lives of gay men its theme in an intelligent and humorous way. For their tenth anniversary, the members are planning to give their first big concert with ambitious arrangements, creative choreographies and many new pieces. Besides preparing for their big day, G-Voice are also politically active, singing for equality and against discrimination.

Few musicals can claim to capture the mood of a historical period as well as the 1972 classic Cabaret. Liza Minnelli's unforgettable portrayal of singer Sally Bowles and the film's stylish recreation of the era have become defining images of Weimar Berlin. In this documentary, actor Alan Cumming explores the truths behind the fiction. He meets many of those closely involved with the original film, including Liza Minnelli, and talks to cabaret artists, among them acclaimed performer Ute Lemper. Alan explores the origins of the Cabaret story in the writings of Christopher Isherwood and uncovers the story of the real life Sally Bowles, a woman very different from her fictional counterpart. He talks to the composer of Cabaret about the inspiration for the film's most famous songs and discovers the stories of the original composers and performers, among them Marlene Dietrich. Finally, Alan reveals the tragic fate of many of the cabaret artists at the hands of the Nazis.

Kenedi is in a huge debt after building a house for his family. He finds himself searching for any kind of work to support himself, for as little as 10 EUR per day, a scarce amount to help him relief his debt. Ultimately, Kenedi decides to look for money in sex business. Initially offering his services to older ladies and widows, he expands his 'business' to offer sex to wealthy men. When he finds out about new liberal European laws on gay marriages, Kenedi sees prospects in looking for a "marriage material", to renew his search for a legal status in EU. The opportunity arises during EXIT Music Festival, when he meets Max, a guy from Munich. But will their promising relationship bring the solution to Kenedi's problems?

In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).

The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.

A release that features 7 shorts from Italy, Israel, Tunisia, New Zealand, the United States and France, exploring those furtive first steps that men take as they decide to act on their sexuality. The 7 short films are: The First Time [La prima volta] (2012); Kiss Me (2022); Nidhal [نضال] (2022); Sparrow (2016); I Am Mackenzie (2019); The Place Between Us [Il posto fra di noi] (2010); By the End of the Night [Que la nuit s'achève] (2018).

In this "beautifully intimate and utterly unique piece of cinema", Toby Amies crosses the line between filmmaker and carer, trying to cope with the strange and hilarious world view of the fragile eccentric, Drako Zarharzar. A love story. Drako Oho Zaraharzar can remember modeling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottoes delivered to him whilst in a coma.