The Table

Carlos Lopez is a handsome Argentine sportsman. Many women love him and he toys with them all. His days are filled with romance and intrigue and he manages to get himself feared and hated by most of the married men in Buenos Aires.

Three love stories. The same country that condemns them. A queer Guatemalan anthology that explores love between men in a society without LGBTQ+ rights. FIRST: Two teenagers discover their attraction at a party, experiencing that first kiss that changes everything. TRUE: A bitter comedy about an ex who discovers her new boyfriend's secret at his wedding. LAST: Heartbreaking drama about a seven-year, closeted relationship that collapses.

Antoine - a grieving loner - spends his days in a cafe on Place Clichy watching people. Every day, he sees a woman he calls Albertine get out of the subway and go to the movies. Today, he takes it upon himself to talk to her. Thus began Antoine's down-going.

A series of short films that create an anthology of stories that will be interlinked to create a feature film. These stories in turn are linked to the 2019 film Lucas and Albert and the follow-up film Babysitters.

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Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

Amidst her own personality crisis, a southern housewife meets an outgoing old woman who tells her the story of Idgie Threadgoode and Ruth Jamison, two young women who experienced hardships and love in 1920s Whistle Stop, Alabama.

Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

Amid an identity crisis, Fábio, 22 years old, a young black man from Cidade Tiradentes, reconnects with his past through a funk party with friends. On their way to the Fluxo, as these parties are called, he faces internal and external challenges that make him confront his feelings after his recent breakup. The film investigates the experiences of young people who live in the extreme east of São Paulo, the biggest city in Brazil and considered one of the main pillars of funk history.

Three stories from the school environment, mostly from the perspective of teachers. In the first story we see an unnecessarily strict teacher, in the middle one a sports career is glossed over, which causes a young teacher to leave his job. In the final story, on the other hand, an experienced high school teacher goes to teach in a rural school to gain inner peace.

First, the tale of a doctor who hides the accidental death of his son. Second, the story of a sculptress who kills and makes a sculpture out of a habitual sex offender who breaks into her home. Third, the story of a detective who administers euthanasia to satisfy the wishes of a terminally ill younger brother. Last, the tale of a young girl who develops psychological problems after her mother is killed by her abusive father

Athology film based on stories from House of Cockroaches, a collection of horror stories by queen of horror manga Kanako Inuki. The stories share a theme of apartment life, the troubles of women and mundane situations turning into horrifying nightmares.

A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.

Five O. Henry stories, each separate. The primary one from the critics' acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".

An anthology of four romantic stories across four age groups connected by that magical thread called love.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

The common motif of two stories is love and death. In the first story, a drama of love and adultery takes place with a tragic ending. In the second story, the environment of hospital asylum and the constant presence of death makes two diabetics carefully watching over an unknown man in coma.

The film is an omnibus consisting of three stories - "Usvojenje", "Ferije" and "Probni rok". We follow fragments of the lives of young girls from a social institution for children and young adults without parents. In the first story, a wealthy young couple wants to adopt a five-year-old girl, Zeljka. The emotionally undeveloped child has a hard time adapting to her new environment. In Ferije, fifteen-year-old Visnja spends her winter holidays in a gloomy home for young delinquents, where she experiences her first romance. The heroine of the third story is nineteen-year-old Branka who, after her graduation, tries to find a job and become independent from the social institutions she has lived in her entire life.

An OFW mom comes home to start anew with her cold and distant daughter. But to fix the present, they must face their old wounds together.