O. Henry's Full House

Ten screenwriters collaborated on this series of tales concerning the effect a tailcoat cursed by its tailor has on those who wear it. The video release features a W.C. Fields segment not included in the original theatrical release.

A seven-part anthology film that probes the theme of childhood from various angles. Each part is directed by a different person, with techniques ranging from watercolor to cut-out.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.

You've never been invited to a sleepover like this! "Pajama Nightmare" includes three freaky, sexy stories from the twisted heart of Athens, Georgia. It's all here, folks: Busty aliens, singing cannibals, and a Halloween slumber party filled with burlesque babes!

A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.

A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: BACK STAGE (1919), GOOD NIGHT, NURSE! (1918), CONEY ISLAND (1918), THE ROUGH HOUSE (1918), and THE GARAGE (1920). Volume Two of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.

Monster Killers packs the goods...and the gore. This monster-themed anthology features some of the best up-and-coming short horror filmmakers from around the world. When monsters rise, it's nighty-night for the rest of us. Collects short films: The Sneak, Bedroom Window, Familiar, The Flea, Good Evening, The Dweller, Howl (Of A Good Time), Get Off My Porch

Sen

Down-on-his-luck race car driver Jim Douglas teams up with a little VW Bug that has a mind of its own, not realizing Herbie's worth until a sneaky rival plots to steal him.

Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

An omnibus movie consisting of three shorts by CHOI Ikhwan, SHIN Yeonsik, and LEE Gwangguk. A delightful dissection of human rights in this day and age through a student who gets punished for wanting to eat deokbokki, a man with delusions of grandeur, an insurance agent who spends a strange day.

This is a romantic story about a brave, self-made girl, despised daughter of a shepherd. She is not afraid of anything - neither night nor swimming. But the superstitious villagers are telling weird stories about her and about all sorts of strange things, even her conjunction with the powers of hell.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

The first film in Shin-Ei's series of annual WWII themed anime television movies for children "Sensou Douwa"

The story of love, between a sturdy village boy and a gentle country girl, filmed with a movingly genuine charm.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

Five Girls Around the Neck, in 1967, set out to explore that critical age of adolescence when a person's character is formed for good or evil. Schorm examined a girl's problems of being giving too much. She tries to buy the goodwill of her less fortunate friends; her intentions are pure, but in the difficulty of communicating she learns envy and deceit, and must decide if she will submit to double dealing or steel her life against self-deception and mediocrity. In addition to the relationship between the girl and her friends, Schorm introduces a teenage romance and the broader relationship between the girl's parents - neatly tied together with segments of Weber's opera "Der Freischütz". He reveals himself as a skilled psychological director with a wide range of knowledge about people.

For the first time ever, we’ve assembled five shorts about death, loneliness, and dismemberment into one big, old-fashioned yukfest. On their own, they would have been too depressing to put out into the world. But together, they form into a Voltron of hilarity, if Voltron was eventually going to die facedown in the snow, sad and alone.