Erjavec family goes to picnic on Velika Planina, but instead of having peaceful vacation, they end up in a haunted cottage and fall into series of adventures.
An intimate sports documentary drama showcasing the historic rise of the Slovenian men's national volleyball team from 64th in the world rankings to a global powerhouse. Through archival footage and previously unseen behind-the-scenes and locker-room moments, the film reveals the genuine relationships, defeats, and unwavering bond of the boys who became brothers on and off the court.
Jean, a young French hooligan, is sent on a forced vacation to his grandfather Evald, who lives in the Slovenian countryside. Despite Evald's warm welcome, Jean remains quite withdrawn, speaks only French with his grandfather, and coldly rejects his lifestyle, which is mainly devoted to tending the orchard and selling apples on the local road. While they struggle to get used to life together, frost is slowly approaching Evald's orchard.
Erjavec family (dad, mom, daughter, son) go camping in Slovenian Alps. Instead of a peaceful vacation, they end up involved in detective kind of story.
A documentary movie about Tomos, Slovenian motorcycle factory.
Under the warm rays of the sun, the protagonists become living still lifes, resting on benches, chairs, and deckchairs. In the quiet embrace of nature, they wait, reflect, and remember. This cinematic group portrait delves into the legacy and creative spirit of Vilko Filač, the Slovenian master of film photography, celebrating the enduring mark he left on the world of cinema.
The documentary visually presents the very diverse fauna and flora of Slovenia, focusing on mammals and birds, and shows some particularly interesting species of amphibians, fish, insects and plants. It takes place over a period of one year and takes the viewer through typical Slovenian landscapes. The plot crosses between the provinces and occasionally returns to the same area in order to show what is happening in the animal world in the second part of the year. A very rich ecosystem diversity, rarely seen recordings, and scientifically verified information weaved into the intelligible text are key attributes of this film.
Marko, Adi, Aco and Dejan hag out in front of block of flats in Fuzine. Marko is pissed because he quit playing basketball and because the sexy TV presenter doesn't notice him and because his father Radovan is going to beat him up for quitting basketball. Adi is irritated by the fact that his brother Sanel is a drug addict and because his father Mirsad prefers to shang waitresses somewhere in Austira rather than to deal whit this. Makarovicka chefur girl gives a hard time to Aco and he would like to tak a revenge on Damjanovic - bus driver. Dejan is anxious because his mother Sonja wants to move to Slovenske Konjice. Policemen stop the boys one night and their world starts to disintegrate.
Charlie, the protagonist of the Slovenian film “Porno Film”, is so dedicated to his porn viewing that his two friends John and Frank jokes that he must have a PhD in pornography by now. Using Charlie’s extensive knowledge of all things porn, the trio sets out to make the “first real Slovenia porn film”, in Slovenian language and everything — except the women in the film are emigrated Russian hookers, and their Slovenian isn’t very good.
To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
The Balkans cradles Europe's last wild rivers and supports abundant wildlife and healthy, intact ecosystems. These rivers are "The Undamaged" – clean, pristine, and undammed. With over 2,700 small and large hydro power plants planned or under construction in the Balkans, corruption and greed are destroying the last free-flowing rivers of Europe. Follow the Balkan Rivers Tour, a rowdy crew of whitewater kayakers, filmers, photographers and friends who decided to stand up for the rivers, travelling from Slovenia to Albania for 36 days, kayaking 23 rivers in 6 countries to protest the dams and show the world the secret wild rivers of the Balkans. The film honours everyday people and local activists who are fighting to defend rivers and aims to spread the word of the plight of these rivers, showing a new style of nature conservation that is fun, energetic and effective.
Breza, a country boy from a godforsaken Prekmurje village, wishes to perform at the village festivities playing his electric guitar, but is faced with fierce competition in the form of a traditional Roma band entertaining the villagers by playing popular folk music. Nevertheless, his music seems to be the key to the heart of Silvija, a village beauty and the daughter of a wealthy gastarbeiter from Switzerland, who was sent home to find a healthy Slovene husband. However, the story of Breza and Silvija only marks the beginning of the plot whose main character is actually Düplin, an eccentric outsider, a deaf-and-dumb tramp or, as Breza's mother, the old Popovka, a farm owner and a fortune-teller also referred to as Strina, called him "a lad from a citrus producing country".
Stunning stories from the unusual life of the Ural owl, a mysterious nocturnal predator that can fearlessly attack even humans. Set over a period of just over a year, 'Fearless Queen of the Night' provides an extraordinary insight into the life of one of the largest European owl species.
In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?
After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.
Equal parts film, conversation, and social experiment, this interactive documentary uses footage shot by activists in the crowd of the Maribor uprisings, a 2012 to 2013 Slovenian protest, to pull you into the fray, where you must collectively decide what happens next.
An elderly woman pays visit to her mother who resides in nursing home. Few days later she receives a telegram that the mother died, but it turns out that the address it was sent to was wrong. However the guilt of neglect starts to torment the mourning daughter nonetheless.
The story is told through different points of view. A woman loves everything green, her husband loves his car, a magician knows the secrets of the stars, a professor knows everything about sound and a cyclist solves a difficult problem. A surreal travel through time and space.
Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.
A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.