Smoke Traders

Documentary about the production of Bunk #7.

This documentary by acclaimed filmmaker Alanis Obomsawin introduces us to Randy Horne, a high steel worker from the Mohawk community of Kahnawake, near Montreal. As a defender of his people's culture and traditions, he was known as "Spudwrench" during the 1990 Oka crisis. Offering a unique look behind the barricades at one man's impassioned defence of sacred territory, the film is both a portrait of Horne and the generations of daring Mohawk construction workers that have preceded him.

Director Clint Alberta takes us on a hilarious and bittersweet journey into the hearts and minds of some very ordinary, extraordinary young Canadians. Clint, taking on the role of Clint Star, seeks out his far-flung buddies, young Natives like himself. They talk about sex and life... love and abuse... 500 years of oppression--with humour, grace and courage. Deep Inside Clint Star explores issues of identity, sexuality and intimacy, while retaining the creative and playful style of a director who is not afraid of turning the camera on himself. This engaging documentary will draw you out of yourself and deep inside Clint Star.

This short documentary presents the empowering story of Rodney "Geeyo" Poucette's struggle against prejudice in the Indigenous community as a two-spirited person.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist. Santiago Bertolino's camera follows a young Innu poet over the course of a year. A voice rises, inspiration builds; another star finds its place amongst the constellation of contemporary Indigenous literature. A voice of prominent magnitude illuminates the road towards healing and renewal: Natasha Kanapé Fontaine.

Etthén Heldeli: Caribou Eaters travels with Déné First Nations people in Canada’s north, as they search for the species so vital to every aspect of their lives – the barren-ground caribou. The documentary is a celebration of their rich ancient culture, and a visual document lamenting their traditions that could vanish, if the caribou disappear.

Sensationalized in the media as a high profile catfishing case involving an NBA superstar and an aspiring model, Shelly Chartier was portrayed as a master manipulator who used social media as her weapon. Through the sensitive and intelligent lens of Indigenous directors Lisa Jackson and Shane Belcourt, the sensationalism is swept aside to reveal something much more compelling and complex - the story of a young woman caught in historical circumstances beyond her control and how she struggles to rebuild her life after incarceration.

Atikamekw elder Cézar Néwashish continues to recount the history of the community of Manawan that first began in The History of Manawan: Part One. As Christianity and European customs take deeper root in the community – abetted by residential schools and aggressive assimilationist government policies – seemingly irreversible changes to significant customs begin to unfold. Despite these struggles, the people carry on. This short is part of the Manawan series directed by Alanis Obomsawin.

Three decades after the shuttering of the mining town of Schefferville, the Innu people, who moved in after the non-natives abandoned the town, are facing a new challenge: the iron mines are about to be reopened. Land, identity and legitimacy are central to the dialogue between peoples locked in parallel struggles, the Québécois and the First Nations.

In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

The unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker.

A document of the originators of the DIY Rez Metal scene, and the bands that are now carrying the torch, including I Dont Konform, Mutilated Tyrant and Born of Winter. From a generator-powered show in the Arizona desert to a band practicing in a traditional Navajo dwelling called a Hogan, this story — told by Navajo ("Diné") bands and individuals involved in the scene — explores the creation of Rez Metal in the Eighties, the juxtaposition of old and new Navajo traditions and the link between heavy metal and native pride.

First Nations fight to end grizzly bear trophy hunting in the Great Bear Rainforest in British Columbia. The Heiltsuk, Kitasoo Xai'xais and Gitga'at First Nations enforce a ban by using Coastal Guardian Watchmen, while the Raincoast Conservation Foundation purchases trophy hunting licenses in the area to prevent a hunt from taking place. The film offers unique access to Canada's First Nations and a breathtaking view of the majestic animals inhabiting the Great Bear Rainforest, including the elusive Spirit Bear.

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.

This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.