A kelp-horn-blowing man seems to be deeply drawn to a very particular whale. This is the story of a love triangle between the titular Whale Caller, his beloved whale Sharisha, and Saluni, the village drunk who teaches him to open his heart to people again.
Loneliness dwells in a big city; Kostya, the wedding photographer, dwells there too. At work, he is surrounded by happy people celebrating special moments in their lives. Kostya is about to turn 50, and he is drastically losing everything he used to cherish. Will he cope with his despair and regain the joy of life?
This holiday-themed melodrama released by Edison Studios in 1910 concerns Robert, a young man who leaves his mother’s home in New England to forge a career in the big city. When he achieves “fame and fortune” six years later, his proud mother can’t wait to welcome him home for Thanksgiving. Robert, however, intends to stay in the city to enjoy a holiday feast with his society friends and beautiful fiancée. When Mom decides to pay a surprise visit on Thanksgiving Day, she is saddened to find that her son is so ashamed of her that he relegates her to an upstairs room, out of sight and out of mind.
Vanity
m e m o r y - m a c h i n e
A comedy centered on a has-been coach who is given a shot at redemption when he's asked to run his local high school's girls basketball team
Life is not the most fulfilling for sixteen-year-old Meng: Lounging at home with his grieving father on a daily basis, being excluded from his family’s past, and forced into bullying other kids at school. Everything changes when he is thrown into a life-altering adventure that propels him into an exciting unfamiliar landscape.
Director Quentin Tarantino tasked Eli Roth to craft a mini-movie called Stolz der Nation (Nation's Pride) that will be included in the theatrical cut of Inglourious Basterds. To help promote Inglourious Basterds via the film-within-a-film, Roth has slapped together a trailer for Nation's Pride blending black and white photography with modern multi-layered camera effects.
Amy, the young, friendless daughter of Oliver and Alice Reed, befriends her father's late first wife and an aging, reclusive actress.
Santuaryo is a movie that centers on the unfolding narration of a young man named Archie (Basti Romero). Archie went looking for a lost treasure when he came into the possession of an ancient map left by an old adventurer. His journey left him battered and cloudy with memories as he was found drifting on the ocean and later rescued by island fishermen. When his long time lover, William (Will Sandejas) arrives at his side, he is forced to painfully recall what happened to him and describes how he crossed paths with a group of boys looking for the same treasure. In the end, Archie realizes what is most valuable in life and it is in his relationship with William that he finds his greatest fortune. Panoramic and provoking. Santuaryo is ultimately a hypothesis about the behavioral mutations of a group of boys when faced with desperate circumstances.
When a young deli-counter clerk and general slacker in New Jersey accidentally saves a young woman from a serial rapist, he becomes convinced that his new role in life is to become a vigilante.
As a Chinese boy transitions from childhood to adolescence, he finds himself lost in a world that tells him he should hate where he comes from with being confronted by racial hatred. He stumbles across some strange footage on TV. SUNNY digs into the the importance of Chinese history, the need for young people to see themselves, and the anger that comes when loneliness engulfs you.
While writing an adaptation of the play "4.48 Psychosis", by English playwright Sarah Kane. Luisa (Ingrid Trigueiro) travels to a desert beach with her family. Immersed in the text, Luisa finds the work's impulses increasingly immersed into her own reality, driving her to the threshold of adaptation and delirium. Between theater, sketch, archival images, and complex memories and family relationships, Arthur Lins uses different staging references to compose a small tropical tale about complex creation process.
In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.
After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.
Adela and her baby move to Madrid in search of a new start after a tough separation. Antonia is a shop owner with three adult daughters. The film is divided into five chapters revolving around their health, work, relationships and money.
A road in the middle of nowhere. A car. A bike. Two lonely people looking for the same thing. They meet.
Maria always lived alone. One day she needs to rent her own room to a student. But living with another person will only add to her own loneliness.
Down on his luck and recently divorced, Paulo has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must cope with loneliness, fatigue and new faces in his life.
A beautiful but vain woman who rejects the love of her older husband must face the loss of her youth and beauty.