Sidney & Friends

Seven transgender and gender nonconforming individuals share their unique experiences with Silas Howard.

For the first time in history, a white man has been invited to become a Massai Warrior. The Massai of East Africa are one of the last tribes on earth to live as they did hundreds of years ago. Benjamin will live among the tribe, sleeping, hunting, and surviving in the bush. He will get to know their culture, their customs of dancing and playing, and learn how to conquer the dangers of the wilderness. Will he be able to become a true Massai warrior? To become a Massai is a great journey into the unknown.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.

Sexual minorities were oppressed, imprisoned and murdered by the Nazis. Paragraph 175 criminalized homosexual men during the Nazi era – but the Nazis also discriminated against lesbians and trans people. They should be excluded from the national community. More than 50,000 queer people have been proven to have been persecuted. The documentary highlights three poignant fates in the context of Nazi terror.

Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

This short documentary presents the process surrounding Khate Lessard's sex reassignment surgery.

A look at the Mau Mau Rebellion of the 1950s as experienced by filmmaker Donald McWilliams.

Caitlyn Jenner's unlikely path to Olympic glory was inspirational. But her more challenging road to embracing her true self proved even more meaningful.

A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.

Running With The Beest

In 2016, transgender teen Gavin Grimm sued his local school board after its members refused to let him use the bathroom of his choice. He was ready to take his case all the way to the Supreme Court—and then the election happened.

A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.

Honey at the Top is a film about the Sengwer forest people of the Cherangani Hills, Kenya, being evicted from their ancestral land in the name of conservation. The film centres around father of two Elias as he works with his community to try and hold onto their culture and resist the evictions. It is an intimate portrait of this community at a crossroads, facing international pressure from organisations like the World Bank, a corrupt Kenya Forest Service who are burning their houses and attempts to turn the forest into a commodity through carbon offsetting schemes.

A transgender Native Hawaiian teacher inspires a young girl to fulfill her destiny of leading the school's male hula troupe, even as she struggles to find love and a committed relationship in her own life.

The intimate bond between two identical twins is challenged when one decides to transition from male to female; this is the story of their evolving relationship, and the resurrection of their family from a darker past.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.