The Night Dad Brought Us Home

A shepherd discovers his wine is gone and one of his sheep, Hervé, can suddenly talk.

Markenhof nursing home is located in the woods of Beekbergen. The unsuspecting walker might think it's a holiday park, but the buildings are home to 138 patients, all wandering around in various stages of memory-destroying Korsakoff's Syndrome. Korsakov's disease is caused by severe vitamin B1 deficiency, almost always the result of alcoholism. One patient can do little more than stare into space, while the other appears to be fine at first glance. Wracked by guilt, shame, addiction and a destroyed memory, patients Kenny and Christina try to create an understandable and livable world.

6th-grader Terkel begins experiencing a streak of bad luck after sitting on a black spider. His teacher dies and is replaced by the strange Justin. At home, Terkel's Uncle Stewart erupts in sporadic fits of rage, and at school Terkel is bullied by two boys after they learn that fat Doris likes him. On a school camping trip, Terkel begins receiving death threats and must figure out who wants to kill him.

A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The journey leads him back to his teenage years in the 1990s depression, over-generational substance abuse and past encounters. This partly essayistic, autobiographical documentary tells the story of friendship and generational experiences while also pondering on the causes and effects of destinies in the judgmental atmosphere of our society.

We follow an 8 years old child's daily life. From their eyes, we see their dad’s alcoholism. They are full of life, joyful and sometimes full of melancholy. The protagonist only lives their normal life. They like riding bikes, reading comic books while dreaming of a fantasy world. They love their dad, he’s often off, but he’s full of tenderness. When they get stung by a wasp, he takes care of their booboos. Papa Bouteille is a poetic film. It takes the spectator along in the character's own intimacy.

Bold & candid, One Little Pill will reveal to the world a startling pharmaceutical discovery & assault the skepticism & denial perpetuating alcohol dependence.

Adrian Chiles takes a long hard look at his own love of boozing. He wants to find out why he and many others don't think they are addicted to alcohol, despite finding it almost impossible to enjoy life without it.

David Vandenbrink seems like a healthy 21-year-old, bright and articulate young man. There is little to suggest that while in his mother's womb, he suffered permanent brain damage. His condition, fetal alcohol syndrome (F.A.S.), went undiagnosed for the first 18 years of his life, causing confusion, anger, and pain for both David and his non-Indigenous adoptive family. Fetal alcohol syndrome is a term used to describe a set of symptoms seen in some children born to women who drank alcohol during pregnancy. The damage can be subtle or severe, resulting in a wide range of symptoms in the areas of slowed growth, disfigurement, and damage to the brain. Associated behavioural problems include impulsiveness, poor judgment, and an inability to grasp the consequences of actions. This personal story, using video footage shot by David himself, along with the experiences of members of his family, is a hard look into the serious consequences of a little-known, but widespread, health problem.

In 1986, twelve years after his film Kihnu Naine (The women of Kishnou), Mark Soosaar made this complementary documentary at the centre of which are the male inhabitants of the island. With a bitter undertone to it, Soosaar shows how, to this view, a lack of possibilities for self-government and the conceited attitude of the mainland towards the islanders have caused great problems to this society. The island has been negligently placed under far too large a kolkhoz. Enormous alcoholism is prevalent among the male population and, increasingly, among the women. Sheer possession of money has become a standard of regard. If a family cannot spare 4,000 roubles for the marriage of their children, they are ignored by the other islanders. In this dramatic as well as poetic documentary we see how the social awareness of a society has gone by the board. Merely concrete and strict reformations can improve the situation the island is in.

Alcool au féminin, elles brisent le tabou

Chronicles the fascinating and often turbulent life of Townes Van Zandt.

A look at the personal life of the Arsenal and England player

Dompter son dragon

The life and work of the enigmatic singer-songwriter Harry Nilsson.

Tony Slattery examines his Mental Health and Alcoholism and looks for a diagnosis.

A feature length, theatrical documentary on the life of Paul Gascoigne, one of the greatest footballers that ever lived: delving deep into his psyche, vulnerabilities, fears and triumphs.

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

One of several films by the Hoffman-Skórzewski duo, made as part of the "black series" of Polish documentaries showing social problems hidden from viewers behind the façade of socialist realist productions until the mid-1950s. The subject of the film are the effects of alcoholism, whose innocent victims are children.

In Dependence is a documentary film about a middle aged couple trying to balance their lives in the riptide of alcoholism and co-dependency.

The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.