Bioscope

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

The tumultuous life of Arthur Rimbaud, the cursed poet, who completed his masterwork at the age of twenty, became an arms dealer and died at thirty-seven; and his passionate relationship with Paul Verlaine, full of wanderings, storms and falling out.

Martin (Joe Newton) is a casualty of society. He is under appreciated and overworked as a salary man in the city. With mounting pressure on his shoulders, he experiences a breakdown at work and loses his job. After visiting his childhood home to collect some possessions, he opts not to go home but instead chooses to live off grid in the vast woodland. Here he attempts to survive, to try and find himself again, through being amongst nature and his love of writing poetry.

The story of those who see and make films, and the cinema that brings them together.

The lives of six individuals across the city change just as the city is reeling under floods. Will they all make it safely to the other side?

Five short stories: The Master and the Twentieth Disciple; Every Week is Sunday; It's Boniface's Fault; The Raggedy Song; The Spider's Web.

"Taniel" looks at the last months of poet Taniel Varoujan's life, who was murdered in the Armenian Genocide of 1915. The film's narrative is heard in poetry and seen through Film Noir images.

A renowned professor is forced to reassess her life when she is diagnosed with terminal ovarian cancer.

A daughter struggles to speak with her father about her grandmother, revealing the quiet distances — and shared inheritances — that shape three generations of family.

An omnibus film that tells the story of AI's that resemble humans coexisting with humans in the near future of Korea.

Crossroad is a first -of-its-kind portmanteau movie celebrating womanhood and tells the story of ten women, facing ten different life situations and explores how they tackle it. The movie encompasses ten feature films of fifteen minutes each, with each featuring prominent female artists from Malayalam film industry as the protagonist and is directed by a prominent Malayalam filmmaker. The movie showcases the vibrant facet of each woman and tells the story from her perspective.

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.

Trapped in routine, a Jeju poet finds himself drawn to a boy—and to emotions he’s never dared name.

Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as "out of place" women longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.

TV movie "Triptych of love" was created by short stories by famous Slovak writer Ladislava Nádaši - Jégeho. Historical themes in his works have an ambition to bring over to look attractive environment and time bygone era strong dramatic stories and exciting human destinies. Renaissance short stories from the collection "Italy" are a variety of views from different backgrounds, linking theme of many forms of love, its tones and semitones, from bitterly ridiculous after tragic. Screenwriter Ján Števček that dramatically processed three Jégeho stories.

Short experimental movie about sea, love and trust.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Seven episodes, each taking place on a different day of the week, on the theme of suicide and violent death.

A strange mortician tells four horrific tales to three drug dealers that he traps in their local funeral parlor.

Three stories from the school environment, mostly from the perspective of teachers. In the first story we see an unnecessarily strict teacher, in the middle one a sports career is glossed over, which causes a young teacher to leave his job. In the final story, on the other hand, an experienced high school teacher goes to teach in a rural school to gain inner peace.