Letters

Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.

Georg Stadler, from Lower Bavaria, is one of the last well builders who still masters the old techniques. This documentary follows him while building his, possible, last well.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Les Champs de la colère

The true story of a young teenage girl whose mother is incarcerated for murder. Living in a Catholic Children's home run by an order of nuns, she provides poignant commentary about her mother, her own situation and her outlook for the future.

We are a conversation is a 2014 documentary directed by Alexis karpouzos and Spyros rasidakis and written by Alexis karpouzos exploring the unity of humanity, featuring poets from around the world, whose lives have been dedicated to explore the mysteries of life and existence.

Part of BFI collection "Portrait of a People."

The story of Shiori Ito, the woman who shocked Japan with a public allegation of rape in a country where sex crimes are rarely discussed.

The art of drag represents an artistic transformation where individuals create characters by amplifying gendered traits, challenging established social norms. This practice, known for its spectacular performances, has evolved through periods of repression and acceptance. Through humor and self-mockery, drag disrupts conventions and is deeply rooted in the history of LGBT+ movements. This documentary traces the history of Drag in France and around the world, from William Dorsey Swann—a young emancipated slave considered the first drag queen—to RuPaul, Nicky Doll, and Paloma. Featuring contributions from historians, anthropologists, and sociologists specialized in drag, as well as testimonies from drag artists who are shaping or have shaped this history.

Documentary about four urban teenage girls, and their opinions about religion, music and sex.

Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination

Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.

El cine mexicano de fiesta

This documentary interweaves films and voice recordings by Maya Deren with interviews featuring colleagues and contemporaries who worked with or knew her firsthand. Drawing on archival material and commentary from figures such as Jean Rouch and Jonas Mekas, the film traces Deren’s work and influence across experimental cinema and ethnographic thought.

Reveals a revolutionary chapter in Australian history, the Women’s Liberation Movement (1965 -1975). Interweaves fresh archival footage, personal photographs, memorabilia, and personal accounts from activists all around Australia to show how a daring and diverse group of women joined forces to defy the status quo, demand equality, and create profound social change. These women defined one of the greatest social movements of the 20th century, sometimes at great personal cost.

A poignant, sometimes sad, sometimes painful, sometimes humorous, often absurd story of a multiple journey: the journey of loss as the director’s mother Aida struggled with losing herself to Alzheimer’s disease, but finding solace in her repeated “returning” to the Yafa and Palestine of her youth; the journey of the loss of a parent; and the ultimate return journey back to Yafa where Aida would finally find rest and be herself once more.

Ma révolution culturelle

In intimate confessions and poetic imagery, the film transforms simple fruit into a profound metaphor for the eternal quest for meaning, love, power, and desire, challenging societal taboos along the way.

Touche pas à mon pote

Since the outbreak of the global corona pandemic, the number of anti-Semitic content on the Internet and social media has also been increasing. Researchers see a connection between online radicalization and anti-Semitic violence – and also attacks. "Jud Süß 2.0" documents the visual roots of this new anti-Semitism.