Generation Y X Sluts

Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.

Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination

Mulheres da Pá Virada

Wacay, Mujeres del Tabacal

Radical feminist Andrea Dworkin's expose on the pornography industry.

In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.

Documents the shifts in contemporary mainstream pornography and its influence on the sexual expectations and experiences of Australian young people.

Rocco Siffredi is to pornography what Mike Tyson is to boxing or Mick Jagger is to rock’n’roll: a living legend. His mother wanted him to be a priest; with her blessing he became a hardcore performer, devoting his life to one God only: Desire. Rocco Siffredi reveals all, even if it sometimes means busting his own myth: his true story, beginnings, career, wife and children… and the ultimate revelation that will change his life forever.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.

Emma and Eddie live two lives: one on social media and one in real life. The webcam couple is out to save their marriage by starting their own adult web-studio in Eastern Europe.

Picturesque scenes of land girls gathering hay on an Essex farm during WWI.

James Wong and his female assistant visited various kinds of pleasure-houses, including invisible dens, high-tech private dens, smuggling blackpoints and famouse tryst places, both large and small ones, throughout Hong Kong. They also looked back to the Scientific Beauty in Lai Chi Kok Amusement Park, striptease in the Kowloon Walled City and the old stories in fish-ball stalls. There are also interviews of call-girls and grooms.

Porrkungens tårar

A woman's voice narrates in a voiceover the state of her body after a male sexual assault.

Pacific Mother journeys from Japan, to Hawaii, Tahiti, Rarotonga and Aotearoa to share interwoven stories of formidable women who live at one with the Pacific Ocean – freediving, spearfishing and paddling waka through its depths and playing with their children in its shallows – a stark contrast to fast-paced lifestyles of larger towns or cities. These women are all mothers who experienced diverse births in hospital, at home and by the sea, with and without medical assistance. Fukumoto also meets Māori and Japanese midwives who share indigenous traditions and rituals around birth that have been lost over recent generations, and are now gradually being reclaimed. Their stories demonstrate just how disconnected the global default maternity system is from the instinctive and cultural needs of mothers and families. They inspire a call to action on birthing rights, as well as a call for parents’ reconnection with their role as nurturers and protectors of their natural environment.

I Always Said Yes is a portrait of pioneering filmmaker Wakefield Poole, whose careers as dancer, choreographer, and director spanned the golden years of Broadway, television, porno chic, and gay liberation.

Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life's obsessive work as an erotic artist.

On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.