Slate Yourself

On a Saturday night during lock down, a group of very good friends go online to share a virtual aperitif. Suddenly, one of them is attacked and kidnapped live by an unknown man in front of his friends who watch helplessly from behind their screens. They soon discover that this mysterious stranger knows all their worst secrets, which he intends to bring to light one after the other.

Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.

A young surfer enters his first contest, hoping a win will earn him respect. But an encounter with a laid-back local forces him to rethink his values.

A team of South Australian filmmakers sought to tell the story of the Ashman family, a missing persons case that was never solved, and the answer found them.

Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.

The Fukushima family is driven to collapse after the eldest, who has dementia arrives home with the corpse of a child.

A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

Three vampires who share an apartment are interviewed by a TV crew.

The two-hour sketch comedy show-meets-concert film builds upon and punctuates the multimedia format of the band's live performances with skits from the stable of Puscifer characters such as Billy D, Hildy and Major Douche woven into the performance footage of the Maynard James Keenan led quintet."Being surrounded by so many talented and creative people is an endless source of inspiration. This film only scratches the surface of how deep our proverbial rabbit hole goes. What Is Puscifer is meant to conjure as many questions as it answers," explained Maynard James Keenan.Puscifer's concerts have been praised for their out-of-the-box take on what a live performance can be, with the Orange County Register saying "the production matters as much as the music" and describing the event as "a thought-provoking, senses-jabbing statement on a variety of topics."

Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

A family imprisoned by intruders is forced to play a terrifying game of "Kill, Or Be Killed". As the night unfolds, the game's mysterious rules become clear, and the family realizes their nightmare is being streamed live to riveted viewers all over the world, who are compelled to KEEP WATCHING... not knowing if what they're seeing is real, or staged.

Edo, owner of the last cow left in Serravalle Langhe, involves the community in a plan to deal with the sudden disappearance of all the cattle.

'THE UPPER FOOTAGE' is the first film experience of its kind. The film is an edited version of 393 minutes of recovered footage documenting a young girl's tragic overdose death and subsequent cover up by a group of affluent socialites. What started as a blackmail plot played out over YouTube, became Hollywood's biggest drug scandal, turned into a heavily controversial film property that was rumored to be held by some of the biggest names in Hollywood. Now, after playing itself out in the media for 3 years it is finally making its way to the public.

Max Boden, an ingenuitive desert naturalist, is trying to stop the construction of a copper mine on the outskirts of 1939 Tucson, Arizona. Through a series of arduously comical trials, Max learns to use a small motion picture camera to capture images of the unique local flora and fauna that would be destroyed by the mine.

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.

In the early 1990s, a Japanese samurai detective series was aired in Australia and became a cult success. Titled in Japan Ronin Suiri Tentai (meaning roughly Deductive Reasoning Ronin), it was soon known in the West as Top Knot Detective. The original series was legendary in Japan, a cultural train wreck led by Takashi Tawagoto, a crazy writer, producer, director and lead actor; one who could not act, fight or write at all.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?