To Auschwitz and Back: The Joe Engel Story

This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film

Tells the extraordinary story of Anita Lasker-Wallfisch who, along with other victims of Auschwitz, played and created music amidst the terrors of the Holocaust.

As a 10-year-old “Mengele Twin,” Eva Kor suffered some of the worst of the Holocaust. At 50, she launched the biggest manhunt in history. Now in her 80s, she circles the globe to promote the lesson her journey has taught: Healing through forgiveness.

KinderblocK - L’ultimo inganno

George Stevens's remarkable film is acclaimed by historians as the most important colour footage taken during the war. Milestones covered include the liberation of Paris, the link-up between the Russian and American armies on the River Elbe and the Allied capture of the Dachau concentration camp.

In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

The Bavarian district town of Dachau gained worldwide fame as the first Nazi concentration camp and has long since become a tourist attraction. In his directorial debut, cameraman Bernd Fischer, who was born and grew up in Dachau, documents the not-so-ordinary everyday life in his home town, life with the burden of the past and the various mechanisms of repression used by the locals. The result is a documentary tragicomedy about a place and a subject that none of those affected can escape.

The documentary tells the stories of people who were just children during the Second World War and the Nazi occupation of Ukraine. Its protagonists now live in Kyiv, Dnipro, and Odesa, where the filming took place. They survived the ghetto and also witnessed mass shootings that took place, according to researchers, in about five thousand locations across Ukraine. Each of the heroes lost loved ones. Parents, brothers, sisters, loved ones. Everyone had a single task during these terrible years - to survive. The entire mosaic of terrible memories collected in the film is part of a story of survival.

Alone, Eva Fahidi returned home to Hungary after WWII. At 20 years of age, she had survived Auschwitz Birkenau, while 49 members of her family were murdered, including her mother, father, and little sister. Today, at age 90, Eva is asked to participate in a dance theatre performance about her life's journey. This would be her first experience performing on a stage. Reka, the director, imagines a duet between Eva and a young, internationally acclaimed dancer, Emese. Reka wants to see these two women, young and old, interact on stage, to see how their bodies, and stories, can intertwine. Eva agrees immediately. Three women - three months - a story of crossing boundaries. Whilst the extraordinary moments of Eva's life are distilled into theater scenes, a truly wonderful and powerful relationship forms among the three women.

Ventanas

Auschwitz, la machine de mort nazie

Caroline Sturdy Colls, a world leader in the forensic investigation of Nazi crime scenes, is chasing clues to an unsolved case: a concentration camp that existed on the British island of Alderney. Witnesses and survivors claimed that thousands died there, but only 389 bodies have ever been found. Under heavy restrictions imposed by the local government, which may not want its buried secrets revealed, Colls must uncover the truth using revolutionary techniques and technologies.

Fear and fascination arise in Muriel Grey when she remembers the figure of her father, who passed away when she was still very young. Thirty years after his death, Muriel will tell us the story of José Carlos Grey, a Black Holocaust survivor, freedom fighter in the Spanish Civil War and the French Resistance, and one of the only Black men known to have been imprisoned at the Mauthausen concentration camp in Austria.

Exploring the mechanisms of the Nazi seizure of power and focusing on forgotten sites in Saxony and Thuringia, the film investigates early "wild" concentration camps established after 1933 for the suppression of political opponents.

Germans colonized the land of Namibia, in southern Africa, during a brief period of time, from 1840 to the end of the World War I. The story of the so-called German South West Africa (1884-1915) is hideous; a hidden and silenced account of looting and genocide.

Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.

The film gives insight in the living conditions of Jewish citizens since 1933 in Germany and the everyday life in the concentration camps, such as in the Main camp of Auschwitz, Mauthausen and Ebensee.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)