Joshua Littman, a 12-year-old boy with Asperger's syndrome, interviews his mother, Sarah. Joshua's unique questions and Sarah's loving, unguarded answers reveal a beautiful relationship that reminds us of the best—and the most challenging—parts of being a parent.
Screen icon Charlotte Rampling has fascinated the world of cinema, fashion and photography with her mysterious and almost inaccessible beauty. A major figure in genre and auteur films, she is unclassifiable: between presence and absence, shyness and audacity, she's always hypnotic, magnetic and fascinating. From her film debut in the mid-1960s in England, to her unconventional career path, through the tragic loss suicide of her older sister that will irremediably mark her acting, this film is a dive into the existential quest of a complex actress, whose every facet is discovered through her roles. Through a conversation with the actress herself, along with personal archives and extracts from her films, this documentary raws a dazzling portrait of her life and career.
Rylan Clark shares his experiences of homophobia and his complicated relationship with football. He also meets people involved in the sport to ask why it's not a wholly welcoming place for gay men and how homophobia has an impact on those exposed to it.
A rare look inside Cuba’s LGBT community, this compelling film follows the efforts of Mariela Castro, daughter of President Raúl Castro, as she champions LGBT social reforms and acceptance of diversity.
JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
Narrated by Linda Hunt, this documentary examines the life of the late author and gay rights activist Paul Monette. Born in 1945 to a well-off Massachusetts family, Monette grows up unable to accept his homosexuality, for years hiding it from his loved ones while struggling to develop as a writer. In 1978, Monette publishes his first novel, which allows him to come out to his parents. After losing one lover to AIDS in 1986, he becomes a ferocious advocate for awareness of the disease.
Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.
Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious
Behind the scenes documentary on the making of the film.
Liron (29) and Liel (27) are inseparable. When Liel's mental health lapses, Liron starts documenting her sister's struggle. A drunk night out and hospitalization in psychiatric wards put their relationship to the test and uncovers the depth of the pain they carry. In an intimate and intrusive documentation, we are allowed a glimpse into an invisible person dealing with trauma.
A woman is shown various wallpaper samples, in a short displaying the Kinemacolour process
A short documentary about the press of GoldenEye.
A group of individuals who came out as LGBTQ+ later in life reflect on the emotional and often complicated paths that led them to finally embrace their true identities. After years of living in secrecy—some as long as decades—they share personal stories of internal conflict, family tension, and the courage it took to step into the light. From a nonagenarian to a former priest and a military veteran, each narrative reveals the unique challenges of coming out in midlife, while celebrating the profound freedom and self-acceptance that can emerge at any age.
Paolo is a 22-year-old boy and experiences a constant sense of inadequacy and ineptitude, due to his complex relationship with his mother, unaware of his homosexuality, and to the conflict he has with his hometown, Lanciano. Driven by a great desire for emancipation, he decides not to give up and to interview those who have remained in the province and continue to fight just like him.
A young teacher in Zurich in the 1950s falls in love with a transvestite star but is torn between his bourgeois existence and his commitment to homosexuality. He joins a gay organization that is eventually seen as the pioneer of gay emancipation in Europe.
Ninja is famous around the world for her fierce ballroom performances, but she is not as well-known in her native country of French Guyana. But a trip home to teach a workshop might change that.
Are You Proud? is a vivid and engaged docu-celebration of the LGBT rights movement from the partial victory of the 1967 Sexual Offences Act to Stonewall, the Gay Liberation Front , the AIDS crisis, Legal Marriage and finally the 2016 Pulse night club shooting. The film gives an extensive history of the course of LGBT rights campaigning, but it also shows how much more work there is to be done.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.