Beyond the Frontlines: Resistance and Resilience in Palestine

This new documentary will look at how Hamas has used rape and sexual terror as weapons of war, inflicting physical, emotional and psychological trauma on women, children and men. The terrorist group’s attack on Israel on Oct. 7 resulted in approximately 1,200 deaths and 250 hostages. During and after the attack, countless cases of sexual violence, particularly against women and girls, were reported and documented at the Supernova Music Festival, as well as the kibbutzims and villages. The documentary will delve into these events though research and investigation, while following the victims’ journeys to recovery.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Yousef Srouji’s childhood in Palestine wasn’t something that he and his parents spoke of as a family, so when he found a box of his mother’s home videos from the early 2000s, an especially perilous and tumultuous period in the West Bank, the tapes became a means for remembering and comprehending a painful past. The stories she captured illuminate the nature of life in a war zone, and familial bonds that cannot be broken. – Bedatri Choudhury (DocNYC)

Ghassan Sidawi takes a trip to get to know more about a late friend of his family. While doing so, he learns what it feels to be a lost Palestinian artist from home.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

The first full length film to be shot within the disputed Palestinian West Bank "Green Line," FERTILE MEMORY is the feature debut of Michel Khleifi, acclaimed director of the Cannes Film Festival triumph, WEDDING IN GALILEE. Lyrically blending both documentary and narrative elements, Khleifi skillfully and lovingly crafts a portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives.

If Only I Were That Warrior is a feature documentary film focusing on the Italian occupation of Ethiopia in 1935. Following the recent construction of a monument dedicated to Fascist general Rodolfo Graziani, the film addresses the unpunished war crimes he and others committed in the name of Mussolini’s imperial ambitions. The stories of three characters, filmed in present day Ethiopia, Italy and the United States, take the audience on a journey through the living memories and the tangible remains of the Italian occupation of Ethiopia — a journey that crosses generations and continents to today, where this often overlooked legacy still ties the fates of two nations and their people.

In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.

For hundreds of years, Taiwan has been under different colonial rules. From the Dutch, the Spanish, the Japanese, and nowadays Republic of China, each regime left their footprints on this island. Only the indigenous people of this island experienced of the process. They were given different names during different periods of colonisation and their cultures have been changed. Through the life of a Truku elder, we see the history of aboriginal recertification movement.

Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.

Olive trees have been a key element of life for populations in Palestinian land for generations. Since the creation of the state of Israel, historical inhabitants and trees face the uproot of their lives and culture. This documentary shows popular struggles in occupied Cisjordan through the testimonies of Palestinian families and the activists that protect them during olive harvest.

Galoot

In the Bernese Alps, the Agassizhorn peak memorialises Louis Agassiz – a controversial 19th-century scientist, who not only named the mountain after himself, but who claimed he had discovered the Ice Age and went on to become one of the century's most virulent, most influential racists.

Never-before-heard eyewitness accounts from released hostages, survivors, and first responders during the October 7 attacks on Israeli towns and at the Nova Music Festival show the disgusting extent of the crimes of so-called Palestinian freedom fighters. Women and girls were raped, assaulted, and mutilated by members of the Hamas terrorist group and murderous Palestinians from the Gaza Strip who joined this mob. Released hostages have revealed that Israeli captives in Gaza have also been sexually assaulted. Despite the indisputable evidence, these atrocities have received little scrutiny from human rights groups and international organizations. Many leading figures in politics, academia, and media have attempted to minimize or even deny that they occurred. In this documentary, Sheryl Sandberg conducts in-depth interviews with witnesses and survivors of the events that reveal the full sad extent of the Hamas massacre.

A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.

Mexico─United States border bar, “Trump Wall” is full of displaced migrants’ grief. Gaston who came to America as a teenager, is expelled from the States at his 40s and meets his family at the Wall. Bassam and Rami, becomes a dad who lost their daughter by each other. This film describes the people who lost their family by the wall and includes the views of refugees, human rights. Actor Jung Woo Sung participated in narration of the film.

In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.

For centuries, Inuit in the Arctic have lived on and around the frozen ocean. Now, as climate change is rapidly melting the sea ice between Canada and Greenland, the outside world sees unprecedented opportunity. Oil and gas deposits, faster shipping routes, tourism, and fishing all provide financial incentive to exploit the newly opened waters. But for more than 100,000 Inuit, an entire way of life is at stake. Development here threatens to upset the delicate balance between their communities, land, and wildlife. Divided by aggressive colonization and decades of hardship, Inuit in Canada and Greenland are once again coming together, fighting to protect what will remain of their world. The question is, will the world listen?

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

An european artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.