Traces: People of the Peacock

On Nov. 22, 1963 the world was shocked by the assassination of John F. Kennedy. The mystery surrounding this history-changing event has led to many unanswered questions.

Documentary movie about testing of the largest nuclear weapon in history, the Tsar Bomba. Declassified and made available to the public in 2020.

A documentary about Croatian immigrants' soccer clubs, especially the Croatia Toronto soccer club, and their significance to the Croatian diaspora as well as Croatia itself.

A moving portrait of traditional Finnish American culture in the Upper Peninsula of Michigan, highlighting that fragile community of memory connecting ourselves with parents and grandparents. It uses the “biographical model” of folklore filmmaking to tell the story of Erikki Vourenmaa, a 92-year-old Finnish immigrant, and his family living near Ironwood, Michigan. This three-generation farm family works, celebrates, reflects, and grieves together. The film explores the meaning of family, ethnic history, aging and intergenerational bonds. It contrasts between the immigrant elder, his American-born son and the partially assimilated grandchildren to illustrate change and continuity in the "sauna belt" of the Lake Superior Region. As Dr. Sharon Sherman concluded, “Loukinen’s focus on the bonds between generations will strike emotional chords about family relationships and ethnic identity for numerous cultural groups.”

Tells the story of how Edward Snowden managed to evade capture by the US. For the first time Snowden tells the story of how he managed to escape so that not to have to spend the rest of his life in an American prison.

This documentary discusses how LGBTIQA+ people experience the streets and nightlife of Istanbul in terms of a safe space through the unique, yet common experiences of queers from different backgrounds, and focuses especially on nightlife and the issue of safe space there, which is a very critical area for queers to exist as they are.

This film shows the leaders of organizations that emerged after the Russian Revolution. It is the fragment of ‘Anniversary of the Revolution’ made by Vertov in 1918.

A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary 'My War' probes the complex motives behind the need to take up arms on someone else’s behalf.

Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?

The story of what daily life was like in Poland under communism: private conversations, cruel interrogations, recruitment attempts, recorded and filmed with hidden devices; of how the secret services spied on every activity of ordinary citizens: nothing escaped the brutal system of control developed by the Soviets in the name of freedom.

Film cameras cruise the Soviet Union's mighty Volga River, providing a view of the Russian people along its 2300-mile length, including looks at the fishing industry, a rural village, a manufacturing town and the wedding of two factory workers.

Oľga Ondreičková is one of the exceptional figures of the first generation of Slovak architects. Her work is characterized by pragmatism, simplicity, and monumentality. Her husband is architect Pavel Ondreička, with whom she collaborated on several projects, as well as on the design of furniture, interiors, and artistic decorations. At the height of her career, Oľga Ondreičková led her own project team, which was rare for a woman at that time.

Special care has been taken by International Historic Films to assemble this monumental documentary, which tells the story of what is left for a people after its land has been ravaged by war. Situated between the powerful antagonists Germany and the Soviet Union, the Baltic nations of Latvia, Lithuania, and Estonia bore witness to some of the most ferocious land battles of the Second World War.

"Sweet Osmanthus Flowering Late" is a feature-length ethnographic film that envisions social rejuvenation and collective convalescence in the aftermath of the pandemic. Filmed in Wuhan, the film follows the everyday lives of three middle-class households. It postulates the existence of a mass dreaming phenomenon that facilitated fatigued Chinese inhabitants to rejuvenate themselves following the secluded episode of lived experience and to coexist with the enduring imprints of "the event" on their social lives.

The Soviet Union was a sinister world. Now the Iron Curtain has fallen, and for the first time we can investigate those rumours.

This film was broadcast on La Sept in October 1990 as a part of Hélène Mochiri's Cinéma de poche program devoted to Soviet cinema. The documentary was produced in-house at La Sept and based on an exclusive interview with Alexei Guerman in May of that year. It has not been seen since.

Dziga Vertov-directed Soviet newsreel covering: The opening of an electric generating station / Trial of the Socialist Revolutionaries.

12-year-old Dyab is a Kurdish Yazidi boy living at Arbat refugee camp, after the horrendous attacks by the Islamic States on their villages at Shingal Mountains (Sinjar). However, Dyab’s dream is, to become a filmmaker and actor and tell the stories and sufferings of his people to the outside world.

Tells the story of five people from the last generation of Soviet children who were brought up behind the Iron Curtain. Just coming of age when the USSR collapsed, they witnessed the world of their childhood crumble and change beyond recognition. Through the lives of these former schoolmates, this intimate film reveals how they have adjusted to their post-Soviet reality in today's Moscow.

Russia is grappling with a critical issue: they have become the country with the most at large serial killers in the world particularly concentrated in Rostov, the same city that witnessed Andrei Chikatilo's infamous killing spree. In response, law enforcement has turned to Dr. Alexander Bukhanovsky, a prominent psychiatrist and criminal profiler, who is implementing radical measures to understand the root causes of this phenomenon and develop effective solutions. Within Dr. Bukhanovsky's clinic, we encounter three of his young patients: Edward and Igor, whose families express deep concerns about their disturbing fantasies, and 'Mischa', who has perpetrated acts of torture and sexual assault. Dr. Bukhanovsky's approach is groundbreaking, offering treatment to potential serial offenders. However, critics argue that by keeping individuals like 'Mischa' anonymous, he may inadvertently shield them from public awareness and accountability, prompting debate over the ethics of his methods.