Three teenage women struggle to balance school and passion on their path to success.
Swim Sistas follows the swimming journeys of three very different Black girls/women as barriers are broken down in the water.
Inquietas
A feature-length documentary about being in corporate America... but as a catfish? A corporate catfish? A white corporate catfish?
This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.
Rosa and Maria are mother and daughter who have a troubled relationship. Despite not showing affection, Rosa makes courageous decisions to ensure that her daughter, Maria, follows a different path from her own in all areas of life. The movie takes us on an exploration of the lives of two generations of black women from the same family, revealing a plot of love, conflicts and mutual understanding.
A young woman discovers what’s worth fighting for when an beautiful courier invites her to an underground resistance movement.
As San Francisco’s tech boom gentrifies their city, three young black trans women decide to take matters into their own hands, staging an audacious heist targeting the city’s most exclusive luxury brands.
Chronicles a pivotal two-week period in London at the height of Dinah Washington’s career, following the international success of her 1959 Grammy-winning crossover hit 'What a Difference a Day Made'.
Four friends facing life challenges take a summer road trip through Texas together.
why some people be mad at me sometimes is a single channel experimental film that cites the mother of Dancehall Sister Nancy singing her song bam bam in dialogue with Maya Angelou’s performance of the poem The Mask. The video is a meditation on the misappropriation of Blackness within music, and how often Black folks are told to not criticize but to smile and be grateful. All while tracing the filmmakers' relationship to Dancehall and Afro Caribbean culture through archival footage of themselves as a young person dancing at Folklorama. Folklorama has the intention to be a space for sharing diverse cultures but oftentimes a space of cultural consumption that erases the colonial history of the countries that are on display.
There's definitely something about Jack! That's why he's back in an all new series! Black Jack features the well endowed Jack Napier slinging his big, black, meaty man-pole and giving it to some of the hottest babes in the business today!
uNomalanga and the Witch, which follows newlywed Nomalanga, who moves into a new neighborhood with her husband and finds herself intrigued by a mysterious widow who everyone suspects killed her late husband
When Bailey and Jasmyn are running late for birthday brunch, they find themselves on a chaotic drive into DC that brings up some underlying tension between them.
Soura stumbles upon a bluebell field and is left in a haunting trance, plagued by disturbing visions. She returns to the field, desperate for a solution, and meets a girl suffering a similar fate.
On the precipice of a life-changing event, Hayley is faced with the cost of letting go as she struggles to complete the final errand that will close the door on her past and force her to embrace an uncertain future.
When COVID-19 struck in 2020, Alyssa – an Australian healthcare professional living in the UK with her partner – wanted to do everything she could to help. What happened next changed her outlook on life forever.
This making-of is made up of a series of short vignettes, starting with a piece on Shin Ha-Kyun and Bae Du-Na learning sign language for their roles, followed by some on-set interviews with Song Kang-Ho, Shin, and Bae. One of the noteworthy takeaways from these clips is the oddly frequent laughter on the set, especially while shooting some particularly wrenching scenes. Next are a few pieces on the prosthetic effects used for some of the stabbings, etc. It wraps up with Park Chan-Wook discussing the casting process for some of the smaller roles and footage of Park's friend Ryu Seung-Wan helping to choreograph a scene on set.
Jemma Skulme (1925-2019) experienced many different times during her long life, and the conversation revealed how time and events have influenced the life of this creative person. The conversation with the artist took place on February 12, 2016, in her studio in Mežaparks. Džemma's memories are permeated by enormous diversity, complexity, a considerable burden of responsibility, time, and many other factors that have undoubtedly left their mark on her life.
After a Russian missile strike kills their 11-year-old son and critically wounds his mother, a grieving father holds a phone to his child's ear at the funeral so she can say goodbye from her hospital bed.