why some people be mad at me sometimes

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.

In this 21st century, under the cloak of capitalism, governments, and other systems by which society is governed, this short film shows the true social reality of many people “on the street”.

By reversing the image of the burning and destruction of Chinese-Indonesian homes and cultures in the May 1998 tragedy, the filmmaker documents a funeral and cremation she conducted in response to the ethnic hatred that was still being discussed 20 years after the 1998 atrocities. Can memories be erased? What can we choose to forget? What continues to haunt us?

Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.

A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.

Tonight I danced with your ashes for the last time and killed you again, but this time for myself. I hid your ashes in a black glass until the day I set you free, until the day I set myself free...

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

Motion Control examines the synergy of camera and performer. Shot on 35mm, it explores from the camera's pov, the physical and emotional entrapment of the ageing and glamorous dancer in her private and personal spaces. The film is notable for hypersound foley overlaid with text and electro-opera composed by Billy Cowie and sung by soprano Naomi Itami.

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

An expert dancer Munna who idolizes the king of pop, reluctantly tutors a gangster until their developing bond gets disrupted by their common romantic interest towards the same woman.

Mitzi Gaynor welcomes guests George Hamilton & Phil Harris (The Jungle Book) for a sparkling hour of music, comedy and dance. Songs performed include "Everybody Loves My Baby," "Gentle on My Mind," "Pretty," and "Love Is Blue." Mitzi & George parody classic movies on the late-late show, George playing Cary Grant to Mitzi's Rosalind Russell, Rock Hudson to her Doris Day, and Glenn Ford to her Rita Hayworth.

Mitzi Gaynor opens her second special with a dazzling performance of "Let Go." Additional songs include "Poor Papa," and "What'll I Do." She welcomes guest star Ross Martin (The Wild, Wild, West) for a musical-comedy spoof of Gone with the Wind. Other comedy skits include Mitzi as "The Kid" describing a school recital, and as a Hungarian Gypsy performing "Those Were the Days."

Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.

A film that delves into director Jean Carlomusto's family history by trying to find out if the rumors about her grandmother's death -- trying to rid herself of an unwanted pregnancy in 1939 -- are true.

Movie and stage icon Debbie Reynolds hosts the making of "Singin' in the Rain". The short documentary includes Donald O'Connor, who played the comical "Cosmo Brown", Stanley Donen, one half of the directors next to Gene Kelly, and Kathleen Freeman, who played Phoebe Dinsmore, Lina Lamont's (Jean Hagen) voice coach.

Mısra and Defne are close friends and duet partners who met each other through synchronized swimming. After failing to qualify for the 2016 Olympics, they set a shared goal, the 2020 Olympics. Not too long after, their esteemed coach Natalie is fired by the federation with no explanation. What follows is an emotional devastation and disruption of scheduled practices, which in turn leads to a decline in their performances. Political tremors in Turkey and the global pandemic lead the duet to make a decision on whether to keep the fight or to find new paths in life.

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.