The Cleaners

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

An Italian cruise ship carrying passengers from all over the world is hijacked off the coast of Egypt by a Palestinian commando unit. It is the beginning of a three-day ordeal in 1985 that culminates in the murder of an American hostage and an armed clash between two NATO allies to capture his killers.

Taking an investigative look into the legal battles of the global superstar. Close friends, former staff and researchers paint an intimate portrait of Jackson's complicated world and put allegations of sexual abuse under the microscope. The film defends American singer Michael Jackson against allegations of child sexual abuse made in the documentary Leaving Neverland.

Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Teenager Olivia Oras has 20,000 Instagram followers. The documentary follows a year of her life.

Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.

Why did the series "In Therapy" on ARTE break audience records? Does it reflect the truth of psychoanalysis? From personal quests to collective traumas, this sensitive documentary explores the reciprocal influences between fiction and reality.

This is one of the blind spots of the November 2015 attacks, a piece of history that has been ignored and never told: an invisible consequence of that fateful Friday the 13th is that dozens of childhoods and adolescences were also cut short. That night, as a result of the various attacks, 69 children were left orphaned. Most of them reject the term "victim," which is too heavy a burden to bear.

Three teenagers — Amelio, Blake and Kira — each begin their gender transition, supported in different ways by their families. This deeply sensitive documentary follows them between ages 15 and 17 as they navigate the emotional and physical challenges of being transgender. For them, puberty brings intense distress, as their developing bodies do not align with their true gender identity. The film explores the difficult questions faced by parents and doctors: whether to medically delay puberty, start hormonal treatment, or wait and risk worsening the teens’ suffering. Through moments of doubt, upheaval and hope, the documentary offers an intimate look at three young people who want only one thing — for the outside world to see them as they know themselves to be.

The findings are disturbing. More than half of 12-13 year-old boys and girls visit porn sites every month. With just a few clicks, they can access them via cell phones or computers. Between them, these porn platforms account for more than 5 billion visits per month.

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.

Kim Kardashian is the embodiment of our times. She's a total social figure. To analyze her is to talk about ourselves, our relationship with social networks, capitalism and aesthetic standards. Through the eyes of journalists Nesrine Slaoui and Guillaume Erner, this film proposes a theory in the zeitgeist, crossed by questions of race and gender. Journalist and sociologist Guillaume Erner wonders why Kim Kardashian is the most followed woman in the world on social networks "when she does nothing". With the help of journalist and director Nesrine Slaoui, he paints a portrait of this "total social character", who is famous because of... her fame. Fashion icon, star of a never-ending reality TV family saga, savvy businesswoman, future lawyer and activist outraged by the state of American prisons, the beautiful Kim, who is said to be tempted by a political destiny, is in fact not idle at all...

Sculpter la mémoire

When Peter Gabriel, Tony Banks and Mike Rutherford joined forces in the late sixties, their intentions were not to be recording artists but rather songwriters. That initial plan soon fell by the wayside when they secured a record deal and became Genesis, progressing from the underground scene with such albums as "Trespass" and "Nursery Cryme," to become household names with the addition of drummer/singer Phil Collins and such chart topping albums as "We Can't Dance" and "Invisible Touch." By talking to the individual members of the group, discover what they consider to be their favorite Genesis songs, and why certain songs have a special place in the Genesis story. Song include: I Can't Dance, Invisible Touch, Follow You Follow Me, The Musical Box, Supper's Ready, I Know What I Like (In Your Wardrobe), The Lamb Lies Down on Broadway, Afterglow, Misunderstanding, Turn It On Again, Mama, Land of Confusion.

A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.

From a teenager's suburban bedroom to the boardrooms of Silicon Valley, this is a story of a heartbroken father's quest to uncover the truth behind his daughter's death and his fightback against how the most powerful corporations of the modern age operate.

Le président et le dictateur

Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America (MPAA) rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.